Burdette Keeland, Jr. was an influential Houston architect who left a legacy as a designer, an educator, and a member of the Houston Planning Commission. At the peak of his practice, from 1950 to 1980, Keeland produced some of the city’s best modernist architectural design. Yet he will also be remembered for his four decades on the faculty of the University of Houston, where he dedicated himself to mentoring the next generation of architects. This digital collection provides a sample of five of his imaginative works, including architectural drawings and renderings, photographs, clippings, and audio interviews.
A 1950 graduate of the University of Houston, Keeland quickly developed a successful architectural practice. As with many architects of the period, his work of the 1950s reflected the influence of Ludwig Mies van der Rohe and Philip Johnson. Keeland’s innovative design for the Fred Winchell Studio and Apartments (with Harwood Taylor, 1953) combined a professional office with rental apartments on a small city lot. Two years later he produced his best-known work, a steel-frame residence for homebuilder W. K. King, featured in the 1955 Meyerland Parade of Homes.
In the 1960s Keeland’s work expressed other trends in architectural design. He interpreted the Brutalist aesthetic in the Essex-Houck Office Building (with Herman F. Goeters, 1962), where his tight grouping of masonry towers gave this small office building a sense of the monumental. In the Williams Beach House of 1967 (with Alan Rice), his crisp, shed-roofed volumes evoked the barnlike structures of California’s iconic Sea Ranch development.
Keeland experimented with new ideas in his own house on Ferndale Street. In 1976 he transformed a modest 1930s house into an urban retreat for his family. He made further changes in the 1980s and 1990s, but the rear courtyard received the most attention. He showed his flair for artistic and whimsical details in the over-scaled metal column that supports a second floor overhang; a few feet away a vine-covered spiral staircase offered access to a roof-top office and observation deck.
Dr. Mehra's research in the history of 20th century physics has produced taped interviews with many famous scientists. The tapes compile discussions on physics, astrophysics, cosmology, quantum mechanics, and quantum physics. Those interviewed include P.A.M. Dirac, W. Heisenberg, Richard Feynman, Julian Schwinger, Willis E. Lamb Jr., Murray Gell-Mann, and numerous other Nobel Laureates and distinguished scientists. Other tapes record speeches by many Nobel Prize winners in physics and the humanities.
Some of Dr. Jagdish Mehra's literary works include The beat of a different drum: the life and science of Richard Feynman, The Historical Development of Quantum Theory, and Einstein, physics and reality.
This digital collection consists of remastered audio tapes, transcripts, and speaker biographies from a small portion of this unique oral history collection. It features speakers from the annual humanities series presented at the Southeastern Massachusetts Technological Institute (now the University of Massachusetts, Dartmouth).
Speakers include: Margaret Mead (anthropologist), William Slone Coffin (clergyman and activist), Archibald MacLeish (Poet), Gerald Holton (engineer and physicist), Jerome Wiesner (engineer and mathematician), Oscar Handlin (historian), Philip Morrison (physicist).
The Oral Histories from the Houston History Project digital collection contains more than 500 oral histories from the oral history collection at the University of Houston, a repository supported by the UH Center for Public History and the University Libraries’ Houston History Archives. These oral histories, collected from 1996 to 2012, discuss topics including the Houston Ship Channel, Hurricane Katrina, and energy development. Most of the interviews also include transcripts.
When the Houston History Archives was created, its mission called for an oral history repository to preserve audio files and transcripts of stories describing the growth and development of the Gulf Coast region. Graduate students and faculty document memories of cultural, political, civil rights, and women’s history, building an assemblage of recollections of the city’s past from multiple viewpoints. To support that effort, the UH Oral History Project in the Center for Public History trains history graduate students to research and interview native and relocated Houstonians.
The Offshore Energy History, a collaborative project among several UH professors and other universities, makes up a large segment of the oral history collection. It was conceived to document the growth of oil production and refining along the Gulf Coast before and after World War II. Other intriguing oral histories include interviews with Katrina emergency responders in Houston, a series of discussions with African American generals from the Vietnam era, profiles of members of Houston's Indo-Asian population, and interviews from the Afro-American Physicians project.
Because the UH oral history project is ongoing, additional oral histories will be added to this digital collection in the future.
This collection of recordings documents the University of Houston Barbara Karkabi Living Archives series. The collection provides access to the videos of the Living Archives panel discussions, which cover such diverse topics as women in sports, female politicians, women and religion, motherhood, and breast cancer survival. Individual interviews with notable Houston women, including former mayor Kathy Whitmire, women’s activist Nikki Van Hightower, and former city councilwoman Eleanor Tinsley, are also a part of the collection.
The Living Archives events are panel discussions and interviews with topics covering diverse aspects of women’s lives in Houston and the issues that affect them, and the public events are held multiple times a year. They are sponsored by the University of Houston Women’s, Gender and Sexuality Studies Program and the Friends of Women’s Studies. The University of Houston Barbara Karkabi Living Archives Recordings contain recordings of events beginning in 1995, and additional recordings will be added to the collection on a regularly basis.