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Why I side with the Social Revolution
Image 73
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Marchand, René, 1888-. Why I side with the Social Revolution - Image 73. 1920. Special Collections, University of Houston Libraries. University of Houston Digital Library. Web. October 14, 2019. https://digital.lib.uh.edu/collection/scpamp/item/191/show/171.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Marchand, René, 1888-. (1920). Why I side with the Social Revolution - Image 73. Socialist and Communist Pamphlets. Special Collections, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/scpamp/item/191/show/171

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Marchand, René, 1888-, Why I side with the Social Revolution - Image 73, 1920, Socialist and Communist Pamphlets, Special Collections, University of Houston Libraries, accessed October 14, 2019, https://digital.lib.uh.edu/collection/scpamp/item/191/show/171.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Why I side with the Social Revolution
Alternative Title Pourquoi je me suis rallié à la formule de la révolution sociale
Creator (LCNAF)
  • Marchand, René, 1888-
Publisher Publishing office of the Communust International
Place of Creation (TGN)
  • Saint Petersburg, Russia
Date 1920
Subject.Topical (LCSH)
  • Communism
Subject.Geographic (TGN)
  • Soviet Union
Genre (AAT)
  • pamphlets
Language English
Type (DCMI)
  • Text
Original Item Extent 85 pages; 19 cm.
Original Item Location DK265.17.M3713 1920
Original Item URL http://library.uh.edu/record=b8304506~S11
Original Collection Socialist and Communist Pamphlets
Digital Collection Socialist and Communist Pamphlets
Digital Collection URL http://digital.lib.uh.edu/collection/scpamp
Repository Special Collections, University of Houston Libraries
Repository URL http://libraries.uh.edu/branches/special-collections
Use and Reproduction This item is in the public domain and may be used freely.
Note Translation of: Pourquoi je me suis rallié à la formule de la révolution sociale.
File Name index.cpd
Item Description
Title Image 73
Format (IMT)
  • image/jpeg
File Name uhlib_25190168_072.jpg
Transcript 71 rences in an, so^to speak, unli mited number,— theattes, concerts, cinematographs placed at the disposal of the masses and requisitioned,xin the broadest meaning of the word, for teaching aesthetics simultaneously with social truth and justice; Beethoven, Mozart, Glueck, Wagner and Scriabine are played to and understood by workers and peasants. A pianist of -great talent was telling me qdite recently how astonished he had been in noticing how music possessing such difficult shades as that of Scriabine was profoundly 'appreciated by the working public before whom he had now the occasion of interpreting it: asserted to me that he played at present with much more spirit, much more artistic conviction than formerly, for he „felt himself much more in contact with his new public than with the snobs who before the revolution came to listen to him because it wras the fashion". The most original artistic collections are brought together in the most varied branches of human genius, supplying the material for innumerable expositions, -competitions for decoration, music, pofctry, theatre. Wide scope is offered for sculpture by the erection of monuments, some pf which have been powerfully conceived, in honour of the* greatest figures of History. The living thought of human and creative France finds abundent personification in Danton, Ro- bespier.re,\ Blanqui, Victor Hugo, etc Schools have been opened for popular painting, sculpture, singing and poetry, in many of the former palaces and most sumptuous private hotels. Colonies have been established for poor workers and peasants' children, who are thus taken away from a rude joyless existence life, wit-