University of Houston Digital Library: Socialist and Communist Pamphlets: Russia's gift to the world

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Russia's gift to the world

Image 21

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Mackail, J. W. (John William), 1859-1945. Russia's gift to the world - Image 21. 1915. Special Collections, University of Houston Libraries. University of Houston Digital Library. Web. November 20, 2019. https://digital.lib.uh.edu/collection/scpamp/item/1430/show/1396.

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Mackail, J. W. (John William), 1859-1945. (1915). Russia's gift to the world - Image 21. Socialist and Communist Pamphlets. Special Collections, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/scpamp/item/1430/show/1396

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Mackail, J. W. (John William), 1859-1945, Russia's gift to the world - Image 21, 1915, Socialist and Communist Pamphlets, Special Collections, University of Houston Libraries, accessed November 20, 2019, https://digital.lib.uh.edu/collection/scpamp/item/1430/show/1396.

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Compound Item Description

Title	Russia's gift to the world
Creator (LCNAF)	Mackail, J. W. (John William), 1859-1945
Publisher	Hodder and Stoughton
Place of Creation (TGN)	New York London
Date	1915
Subject.Geographic (TGN)	Russia
Genre (AAT)	pamphlets
Language	English
Type (DCMI)	Text
Original Item Extent	48 pages; 22 cm.
Original Item Location	DK32.7.M3 1915
Original Item URL	http://library.uh.edu/record=b8304497~S11
Original Collection	Socialist and Communist Pamphlets
Digital Collection	Socialist and Communist Pamphlets
Digital Collection URL	http://digital.lib.uh.edu/collection/scpamp
Repository	Special Collections, University of Houston Libraries
Repository URL	http://libraries.uh.edu/branches/special-collections
Use and Reproduction	This item is in the public domain and may be used freely.
File Name	index.cpd

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Item Description

Title	Image 21
Format (IMT)	image/jpeg
File Name	uhlib_1315132_020.jpg
Transcript	Russia's Gift to the World 19 word." Glinka and Dargomyzhsky gave between them the lyrical idealism and the dramatic truth which are the scope and aim of music. In the next generation their work bore fruit in the group of great Russian composers who are now recognised as amongst the most important in the history of the modern art. They made Russian music at once national and universal. It is only in recent years that their achievement has been fully realised. The two Russian musicians whose work is even now best known in England, Rubinstein and Chaikovsky (his name is generally spelled Tschaikowsky on our musical programmes and in Western editions of his compositions) are the least distinctively Russian. Rubinstein won his fame throughout Europe less as a musician than as a brilliant pianist. Chaikovsky's emotional and subjective art is essentially Western, or rather cosmopolitan, and this is so even when, as in his opera of Evgeny Onegin, he takes his sources from Russian literature and uses national Russian musical motifs. But we have lately come to know the splendid and intimately Russian music of Mussorgsky, Borodin, and Rimsky-Korsakov. It came as a revelation, and made us realise that here we have a new birth which has enriched the art, has given it deeper truth and fresh beauty. Their motto was to make art the handmaid of humanity, to " go to the people, seek truth, and the true purpose of life." " To feed upon humanity," Mussorgsky wrote, " is the whole problem of art." In his two greatest works, Boris Godunov and Khovanshchina, he realised his ideal. Alongside of him, and working in the same spirit, came the two others. Borodin, the author of Prince Igor, was a musician with less of tragic intensity but more of serene beauty. Rimsky-Korsakov was the most accomplished musician of the three, and had a special genius for the expression of strong colour