University of Houston Digital Library: Socialist and Communist Pamphlets: Russia's gift to the world

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Russia's gift to the world

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Mackail, J. W. (John William), 1859-1945. Russia's gift to the world - Image 20. 1915. Special Collections, University of Houston Libraries. University of Houston Digital Library. Web. June 27, 2019. https://digital.lib.uh.edu/collection/scpamp/item/1430/show/1395.

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Mackail, J. W. (John William), 1859-1945. (1915). Russia's gift to the world - Image 20. Socialist and Communist Pamphlets. Special Collections, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/scpamp/item/1430/show/1395

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Mackail, J. W. (John William), 1859-1945, Russia's gift to the world - Image 20, 1915, Socialist and Communist Pamphlets, Special Collections, University of Houston Libraries, accessed June 27, 2019, https://digital.lib.uh.edu/collection/scpamp/item/1430/show/1395.

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Compound Item Description

Title	Russia's gift to the world
Creator (LCNAF)	Mackail, J. W. (John William), 1859-1945
Publisher	Hodder and Stoughton
Place of Creation (TGN)	New York London
Date	1915
Subject.Geographic (TGN)	Russia
Genre (AAT)	pamphlets
Language	English
Type (DCMI)	Text
Original Item Extent	48 pages; 22 cm.
Original Item Location	DK32.7.M3 1915
Original Item URL	http://library.uh.edu/record=b8304497~S11
Original Collection	Socialist and Communist Pamphlets
Digital Collection	Socialist and Communist Pamphlets
Digital Collection URL	http://digital.lib.uh.edu/collection/scpamp
Repository	Special Collections, University of Houston Libraries
Repository URL	http://libraries.uh.edu/branches/special-collections
Use and Reproduction	This item is in the public domain and may be used freely.
File Name	index.cpd

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Item Description

Title	Image 20
Format (IMT)	image/jpeg
File Name	uhlib_1315132_019.jpg
Transcript	18 Russia's Gift to the World MUSIC The development of Russian music affords a close and interesting parallel to the development of Russian literature. Music and song are the natural gift of the Slavonic race. It was so in ancient times and is so now. All travellers in Russia are struck by the beauty and skill of the untaught singing heard everywhere, from the mouths of soldiers or workmen or peasants. This music is based on a natural scale and is harmonised, when sung by several voices, by a sort of popular counterpoint. The melodies of Russia have an unusual fascination. This native music was long hindered m its development by the strong ecclesiastical tradition of the Russian Church, which was rootedly conservative. When the scientific study of music was taken up in the 18th century, the influence of Italian music was dominant throughout Europe. Famous Italian composers like Paisiello, Galuppi, and Cimarosa paid long visits to Russia ; they were in great favour at the Court, and set the fashion throughout the country, so that the native music fell into neglect. It was revived in the great wave of patriotic enthusiasm a hundred years ago, and came to its own in the work of Glinka. Glinka was a contemporary of Pushkin, and their work is intimately connected, for it represents a common national development on parallel lines. His genius created a national idiom for musical expression. In his famous opera, A Life for the lsar (1836), he concentrated the native musical substance and enlarged it to a universal human appeal This movement was continued by Dar- gomyzhsky, who worked on much the same lines as Wagner, but quite independently of him. It is to Dargomyzhsky that we owe the famous sentence, I want the note to be the direct equivalent of the