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Montrose Voice, No. 95, August 20, 1982
File 024
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Montrose Voice, No. 95, August 20, 1982 - File 024. 1982-08-20. University of Houston Libraries. University of Houston Digital Library. Web. August 4, 2020. https://digital.lib.uh.edu/collection/montrose/item/2979/show/2973.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1982-08-20). Montrose Voice, No. 95, August 20, 1982 - File 024. Montrose Voice. University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/montrose/item/2979/show/2973

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Montrose Voice, No. 95, August 20, 1982 - File 024, 1982-08-20, Montrose Voice, University of Houston Libraries, accessed August 4, 2020, https://digital.lib.uh.edu/collection/montrose/item/2979/show/2973.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Montrose Voice, No. 95, August 20, 1982
Contributor
  • McClurg, Henry
Publisher Community Publishing Company
Date August 20, 1982
Language English
Subject
  • LGBTQ community
  • LGBTQ people
  • Gay liberation movement
Place
  • Houston, Texas
Genre
  • newspapers
Type
  • Text
Identifier OCLC: 22329406
Collection
  • University of Houston Libraries Special Collections
  • LGBT Research Collection
  • Montrose Voice
Rights In Copyright
Note This item was digitized from materials loaned by the Gulf Coast Archive and Museum (GCAM).
Item Description
Title File 024
Transcript August 20,1982 / Montrose voice 23 MontroseArt 'In Sequence' at Museum of Fine Arts Shows 'Conquest of Time' m US H mm Mi H n ^mmW * 9 ^6* m is wM _»«tt m "Men Boxing, Open hand," from "Animal Locomotion," 1887. Photographed by Eadweard Muybridge. By Steven Cuniberti The Museum of Fine Arts, at Montrose and Bissonnet, offerB selection from the Target Collection of American Photc graphy in a show entitled "In Sequence" until September 19. Informally categorized according to their treatment of time, panorama, montage and narrative, the selection of photographs, lithographs, books, graphics and sculpture which comprise this Bhow illustrate artists' concern with the problem of rendering the moving time frame of life in the medium of still photography. In 1887, before cinematic pioneer Sergie Eisenstein gave us Film Form and Film Sense, Eadweard Muybridge photo- A CLUB FOR WOMEN AND THEIR FRIENDS Live Entertainment weekdays 5:30 - 8:00 Happy Hour, Monday thru Friday 5:00 - 7:00 Cherry Wolfe, D.J. Appearing Thursdays thru Sundays Pool Tournament every Monday 8:30 winner takes all 1 st Monday of every month Free C&W Dance Lessons 8:00 Last Sunday of every month C&W Night, featuring the Mustang Band 7:00 • 1 1:00 SECURITY / NO COVER (I.D. required) S24S Buffalo Spoadway Houston. Texas 7700S 713/065-9736 BIG SCREEN TV ROOM • JACUZZI • WEIGHT ROOM • INDOOR POOL • GYM EfflsJWfl <K___k ^__at ><L___k 4C_____ TT ~ TE ~ 4~«^ ~m£f< ~-f*f\ S&K ^-_-_-_-_ ^^___l, ^k_____k I mmt *~kWmmmW^ *~Wm*mmY^ "BBilM ""*Wma\Sr^ ^_____k *_____-_. ^s imm » -«■" *~mijr* —afclf* »<ma30* »*mws* ^y\ TfTw jfy ^sr ■_-_M-_-a-_ai-a-i - " n-H'i nj i ■■-» - y ,vm "Horse and Rider, Galloping," from "Animal Locomotion," 1887. Photographed by Eadweard Muybridge. graphed his still fascinating Animal Loco- motion Project, sequential still photographs of animals, including humans, in chacteristic activity. Muybridge had found a way to stop time and let viewers control its passage by the length of time they allowed themselves to be absorbed in studying each exposure. About ten yearB later the "cinema fan- tastique" of the early French filmmakers (unmentioned in thiB show) demonstrated the fledgling medium to be the king ofthe time machines by allowing action to be speeded up, slowed down, or even reversed at the filmmaker's direction. After almost one hundred years, some artists are turning, or returning, to non- cinematic methods of considering time. Athena Tacha used Muybridge's continuous action sequential display form to present the discontinuous changes of Gesture I, A Study of Finger Positions (1981). She further recalls her predecessors in the use of photographic process resurrected from Muybridge'B era. The artists represented by "In Sequence" seem to fall into two camps: those who are primarily developing new techniques for documenting traditional notions of time, and those who present methods of seeing time in a new way. Ester Parada's Past Recovery (1979) is a panorama through time. It is a family album photograph with personal associa tions and events marking the passage of time gently exposed over the primary image. With his Newsweek (1974), Robert Hei- necken evokes the crush of simultaneously occurring current events by cutting and interweaving images from the weekly news magazine without having removed the pages from their binding. Heinecken is also responsible for the satiric Socio-Duo- Habliment Studies I, II, and III (1981). Muybridge's studies are not the only close brushes "In Sequence" has with the narrative cinematic form. Rober Frank, a sometime award-winning filmmaker, offers a proofsheet exposed with footage from his film, "The Sin of Jesus" (1969); and Duane Miachaela, a master of narrative, is represented by his 1973 work, "5:15 a.m., April 22, 1904," an example that unfortunately does not illustrate the artist's ability to develop a plot both horizontally and vertically. Film plots develop horizontally while prose can develop in both directions. A film on the relationship between cinema and still photography is to be shown as part of the regular film series at the museum Friday, August 27 at 8:00 p.m., but the excitement of discovering new views of the phenomenon of time is afforded by the show itself, Tuesday through Saturday, 10:00 a.m.-5:00 p.m., and Sunday, 1:00-6:00 p.m. MONTROSE 'Mm ^* pi,*m ■ # '** * »1 1 Jk TRAVEL 522-TRIP The Search for Alexander September 17-19, $159 Round trip air, 3 days, 2 nights. French Quarter hotel, round-trip transfers, pri- vqte museum showing, weekend of Knights d'Orleans "Mr Knight Contest'' Other weekends available. Call for info. Denver Weekend 3 days, 2 nights. Hotel & Round Trip Air Fare, Welcome Cocktail, Many other special attractions. Hosted by Charlie's Bar of Denver $199 based on double occupancy Call for details, 2506 Ralph, 522-8747
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