Keyword
in
Collection
Date
to
The Nuntius & Our Community, Vol. 3, No. 6, June 1972
File 011
Citation
MLA
APA
Chicago/Turabian
The Nuntius & Our Community, Vol. 3, No. 6, June 1972 - File 011. 1972-06. University of Houston Libraries. University of Houston Digital Library. Web. October 22, 2020. https://digital.lib.uh.edu/collection/gcam/item/3749/show/3734.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1972-06). The Nuntius & Our Community, Vol. 3, No. 6, June 1972 - File 011. Gulf Coast Archive and Museum (GCAM) Digital Archive. University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/gcam/item/3749/show/3734

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

The Nuntius & Our Community, Vol. 3, No. 6, June 1972 - File 011, 1972-06, Gulf Coast Archive and Museum (GCAM) Digital Archive, University of Houston Libraries, accessed October 22, 2020, https://digital.lib.uh.edu/collection/gcam/item/3749/show/3734.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

URL
Embed Image
Compound Item Description
Title The Nuntius & Our Community, Vol. 3, No. 6, June 1972
Contributor
  • Frank, Phil
Date June 1972
Language English
Subject
  • LGBTQ community
  • LGBTQ people
Place
  • Houston, Texas
Genre
  • newspapers
Type
  • Text
Identifier OCLC: 28912012
Collection
  • University of Houston Libraries Special Collections
  • LGBT Research Collection
  • Gulf Coast Archive and Museum (GCAM) Digital Archive
Rights No Copyright - United States
Note This item was digitized from materials loaned by the Gulf Coast Archive and Museum (GCAM).
Item Description
Title File 011
Transcript PAGE 10 Movie Review GAY QUESTIONAIRE I believe that each person's private life is hisorherown. There should be no law to the contrary with consenting parties. I believe that you have the right to live as you please. One candidate (who did not win in the primary) refused to answer some of the questions, i.e., "Do you believe that all your fellow citizens should have equal human rights, regardless of their sexual orientation?" He felt such questions were "erotic." The one thing that a Homosexual (sic) has his gland is in an untought (sic) place. He did not put it there. The Divel (sic) did. So we would have to see if a Doctor could oprate (sic) and make him normal. I believe everyone should have the right to choose their own life-style. I would support any legislation that would give that right to homosexuals, minorities, or women or any group of suppressed people. The odds are usually against the young indie filmmaker who attempts to launch his own film and cards are even more stacked if the filmmaker is attempting a breakthrough of sorts, especially in the hardcore porno field. In that light, the makers of "Boys In the Sand" seem to have managed the impossible. "Boys In the Sand" was produced by Marvin Shulman, a theatrical accountant)and written, directed, shot and edited by Wakefield Poole, former legit dancer and assistant choregrapher to Joe Layton on such shows as "George M" and "Do I Hear a Waltz". Poole lensed it on Fire Island last summer without any real thought of theatrical release. One of the foremost points of the film is "Casey Donovan," who looks like a liberated Robert Red- ford. The second is that he is mated with men who, by way of the story lines, are exotic contrasts to him: one lies on a seaweedy beach while Casey comes from the water as a sea god; a black telephone repairman strolls in the vicinity of Casey's beach house and sitar music helps us see him as an exotic interloper; and a black- haired man is generated, like a genie, from a pill Casey drops in his pool. Third in the catalog of its virtues are the soupcons of visual effort which occur when sexual interest threatens to flag: the amber, knobby handle of the black's screwdriver protrudes from his equipment belt, counterpointing his anticipated black equipment, for instance. And fourth, there is a rare consideration for the audience's delicate, aroused condition. The segments don't end joltingly --as if the film broke -- like other pornos. Rather, there's a self-conscious but considerate attempt to wrap up each segment with a twist. One of the tales involves Casey's sending an inquiry to a "wanton ad" in Gay and receiving back a pill in a box. Casey throws the pill into the water, and it fizzes and becomes a mate. After true sex and love, the two walk arm in arm and pass another sitting on a rail on the boardwalk. This other one is reading the wanton ads too, and walks away too, and we are supposed to anticipate the same future for him as has been experienced by the first two. daily — 12 wot to OPEN SALOON' Robert's IAFITTE ft**'" 763-5363 2503 MARKET t>e6fu.tifixl G-etl-veston Isle
File Name uhlib_28912012_v003_n006_010_ac.jpg