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Illustrations to Oriental memoirs
Page 12
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Forbes, James. Illustrations to Oriental memoirs - Page 12. 1835. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. July 4, 2020. https://digital.lib.uh.edu/collection/exotic/item/2777/show/2707.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Forbes, James. (1835). Illustrations to Oriental memoirs - Page 12. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2777/show/2707

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Forbes, James, Illustrations to Oriental memoirs - Page 12, 1835, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed July 4, 2020, https://digital.lib.uh.edu/collection/exotic/item/2777/show/2707.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Illustrations to Oriental memoirs
Creator (LCNAF)
  • Forbes, James
Publisher Richard Bentley (Firm)
Date 1835
Subject.Geographic (TGN)
  • India
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Image
Original Item Extent 24 pages; 93 leaves; 32 cm
Original Item Location DS 412 .F67 1835
Original Item URL http://library.uh.edu/record=b1797776~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_010
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Item Description
Title Page 12
Format (IMT)
  • image/jpeg
File Name exotic_201304_010_013.jpg
Transcript ~ - - 12 EXPLANATION OF THE PLATES. XXXV. A Mahratta Horseman. Engraved from a drawing sketched in the Mahratta camp; where, as remarked of the native foot-soldiers, few of them are dressed or armed exactly in the same manner ; nor is there much distinction in appearance between the officers and the troop they command. XXXVI. / The Table-Land and Cape Town at the Cape of Good Hope. The Table-Land at a distance appears like one long mountain, with a flat surface; a nearer approach discovers its projecting cliffs, craggy sides, and broken precipices. The fortifications and principal buildings in the town being drawn in proportion to the Table mountain, are necessarily on a diminutive scale. / XXXVII. Baroche, on the Banks of the Nerbudda in Guzerat. This city being fully described in the work, it is unnecessary to add more than that the view was taken from the Melon Island, in the centre of the river Nerbudda, opposite the south face of the fortifications. XXXVIII. The Mausoleum of Bawa Rohan, near Baroche. A morning scene soon after sunrise: engraved from an oil painting, which I did from my original drawing, to produce a more brilliant effect in colouring. The fore-ground represents the Mahomedan women. on the anniversary of the death of a husband, child, or relative, strewing the grave with mogrees and other fragrant flowers; at the approach of night they place a few lamps round the tomb, and pass the hours in the melancholy pleasure of tender recollection. The pensile nests of the Baya, or bottle-nested sparrow, are suspended to the branches of the cocoa-nut tree. XXXIX. The Curmoor, or Florican of Guzerat. The plate represents this beautiful bird of about half its natural size.