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Scraps from an artist's sketchbook
Page 110
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Scraps from an artist's sketchbook - Page 110. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 16, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2125.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 110. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2125

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 110, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 16, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2125.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 110
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_129.jpg
Transcript 110 THE AUSTRIAN TYROL. And here we must say a word about the Austrian Tyrol, which extends for such a long distance on this, by far the nearest route to England. It is all throughout splendid, not of the rugged kind, but clothed with magnificent pines to the very tops of the nearest mountains, whilst those beyond are of the wildest shapes, and a great portion covered with snow. The river Addio, close by the railway, flows along at a rapid rate and is as pure as possible, being snow water. We are ascending for hours, shooting through mountain barriers, which the engineer has overcome with tunnels, until at length we observe the watercourse has changed its direction; we have arrived at the highest point, and the river, now the Inn, flows the opposite way. We were exceedingly glad to arrive at Munich, having felt the heat more on this railway journey than we had done in Rome, Florence, or Venice. An artist friend having recommended the Oberpollinger Hotel, we took up our quarters there, though we had a