University of Houston Digital Library: Exotic Impressions, Views of Foreign Lands: Scraps from an artist's sketchbook

0 items

Keyword

Search Mode Search Query in Search Field Search Operator

Collection

Search Collection

Date

Search Date Range Date Range 1 to Date Range 2

Scraps from an artist's sketchbook

Page 107

CHURCHES OF SAN GIORGIO AND SANTA MARIA DELLA SALUTE, ON THE GRAND CANAL, FROM THE PUBLIC GARDENS, VENICE.

◀ Previous Item Next Item ▶

Citation

MLA

APA

Chicago/Turabian

Scraps from an artist's sketchbook - Page 107. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. January 16, 2021. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2122.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Email To: Send

(1877). Scraps from an artist's sketchbook - Page 107. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2122

Email To: Send

Scraps from an artist's sketchbook - Page 107, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed January 16, 2021, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2122.

Email To: Send

Cite Embed </> Print Item Save to Folder Request High-Resolution Image

▼

Compound Item Description

Title	Scraps from an artist's sketchbook
Alternative Title	Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)	Rothwell, Selim
Contributor (Local)	Pendleton, J. Greer
Publisher	Daily Chronicle
Date	1877
Subject.Topical (LCSH)	Artists
Subject.Geographic (TGN)	Rome, Italy Florence, Italy Venice, Italy
Genre (AAT)	books plates (illustrations) illustrations (layout features)
Language	English
Type (DCMI)	Text
Original Item Extent	118 pages; 12 leaves; 19 cm
Original Item Location	DG427 .R68 1877
Original Item URL	http://library.uh.edu/record=b2395052~S11
Digital Collection	Exotic Impressions: Views of Foreign Lands
Digital Collection URL	http://digital.lib.uh.edu/collection/exotic
Repository	Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL	http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction	No Copyright - United States
Identifier	exotic_201304_003

▼

Item Description

Title	Page 107
Format (IMT)	image/jpeg
File Name	exotic_201304_003_126.jpg
Transcript	THE RETURN. 107 burnings—the births, the deaths, the hopes— the fears—all the changes of some hundred years, that had taken place in this noble palace. The sad, deserted look in the daylight was one to reflect upon ; but when passing it in the still night the gloominess and ghost-like appearance of the great pile of building had a most solemn effect, and we felt almost a shudder in passing, as though some wicked deed had been perpetrated within ^ts walls. At length we arrive at the railway station—a queer thing to get out of a boat and find oneself in a railway office. Having seen to the booking of our luggage, a long process, the payments having to be made in gold or silver, for none of the shabby little paper money which is in constant use here will be taken, we start at eleven o'clock p m. for Munich, a long journey, occupying until about seven o'clock the following evening. The train was one of those called express, but only in name, except that thty do not stop at all the stations, but make up for it by staying about half-an-hour at those where they do stop.