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Scraps from an artist's sketchbook
Page 99
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Scraps from an artist's sketchbook - Page 99. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. July 10, 2020. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2114.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 99. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2114

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 99, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed July 10, 2020, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2114.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
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Item Description
Title Page 99
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_118.jpg
Transcript THE RETURN. 99 Munich, Mannheim, and the Rhine. i T length the time had arrived for our homeward journey. Before leaving Venice, however, we had the opportunity of hearing Verdi's new opera, " Aida," which was given at the Malibran Theatre by the original performers at Cairo, and superbly mounted. The theatre, of considerable size, was quite full; one of the boxes was occupied by the Prefect of Venice and the King of Italy's Ministers for Marine and Foreign Affairs. And what shall we say of this much-talked-of opera ? Simply, then, that we were greatly disappointed, and were strongly reminded of one of the composers earlier works, " The Force of Destiny." "Aida" is one of the noisiest performances ever listened to, the plot being an Eastern one, with endless processions and some well executed characteristic dancing, The music is of the loudest; drums, trumpets, and cymbals having more than their share in every act. We should imagine that Verdi has wished to show in
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