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Scraps from an artist's sketchbook
Page 90
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Scraps from an artist's sketchbook - Page 90. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 12, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2104.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 90. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2104

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 90, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 12, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2104.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 90
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_108.jpg
Transcript 90 VENICE. time we could possibly devote for the completion of our sketch—we were surprised to see a large quantity of theatrical properties brought into the central nave of the church. We then learned that workmen were commencing to erect a large canopy to be used in the celebration of the grand funeral ceremony of Signor Soldini, who left a large sum of money—something like £60,000— for the support of a charitable institution and a certain number of old men and women, and also for the performance of a mass for the repose of his soul for ever, a musical composition written for the occasion each year to form a part of the programme. Unless this is strictly complied with the funds go to Milan or Florence. Shortly the whole of the rich marble columns were draped with black cloth, the pulpits and altars in a similar drapery but edged with a silver fringe. Our work had to cease, and on the following day the arrangements were completed for the ceremony. Rows of immense candelabra surrounded the canopy, on the top of which was a gilt