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Scraps from an artist's sketchbook
Page 89
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Scraps from an artist's sketchbook - Page 89. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 21, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2103.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 89. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2103

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 89, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 21, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2103.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 89
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_107.jpg
Transcript VENICE. 89 immediately opposite to the landing place. We had seen the preparations going on some evenings before by the formation of a bridge of boats some hundreds in number, across from Venice to the Giudecca, on which the II Redentore, or Redeemer's Church, is situate, two spaces between this bridge of boats being spanned over to allow of the gondolas to pass through; and on this bridge, soon after four o'clock in the morning, hundreds of people might be seen passing along, and the flight of steps leading to the church was crowded to the doors. At nine o'clock a grand procession of all the dignitaries of St. Mark issued forth and walked across the bridge to attend the mass, and what with the crowd and the incense, the smell was unbearable, and we were glad to make our escape. This ceremony terminated on the Sunday evening. On the Monday morning, being at work upon a drawing of the interior of St. Mark, full of elaborate detail—statues, marble columns, and Mosaics, requiring all the