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Scraps from an artist's sketchbook
Page 85
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Scraps from an artist's sketchbook - Page 85. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 16, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2099.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 85. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2099

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 85, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 16, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2099.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 85
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_103.jpg
Transcript VENICE. 85 church we have visited in Venice, iron bolts or timbers of great strength have been used for support, the whole foundations being mostly on piles. And here for many days in some quiet, shady corner, during the service, we have sat at work upon subjects, of which there is no end. We have counted fifteen artists studying in the place at the same time; there is room for all, but it is only when the services are over that the easels and their owners come more to the front, as the subjects chosen may require. A Spanish artist is engaged upon a very large canvas, taking in the whole view of the high altar, with its columns and statues, and the side recesses covered with rich Mosaics; this promises to be a success, and we are informed is a commission from the King of Spain. We havet frequently seen Mrs. Layard—the wife of the English ambassador at Madrid—in conversation with the artist, and evidently taking a great interest in the work. At all times he is surrounded by an admiring crowd, who little think of the unfortunate artist who happens to have