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Scraps from an artist's sketchbook
Page 82
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Scraps from an artist's sketchbook - Page 82. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 17, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2095.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 82. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2095

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 82, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 17, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2095.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 82
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_099.jpg
Transcript 82 VENICE. of lightning shot forth. Fortunately we had arrived safely at our rooms, when a storm of rain, thunder, and lightning commenced that surpassed anything we had ever seen. The lightning was most eccentric, seeming at times to shoot upwards, and again to take the form of a Greek key pattern. The streets were soon cleared—I should have said the quays, there being few streets, the chief promenade being the Grand Piazza, where the caffds abound, and here, fortunately, the arcades afford much shelter for large crowds. The violence of the storm was soon exhausted, and the moon shone out brightly, when at nine o'clock the military band commenced playing. This takes place three or four evenings in the week until half-past ten, when a gay crowd may be seen, and here seated at tables, brought into the square, they enjoy their coffee or ices. The itinerant musicians—composed of a singer, a performer on the violin, and another on the guitar—are banished from the Piazza, but still are allowed to perform in front of