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Scraps from an artist's sketchbook
Page 75
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Scraps from an artist's sketchbook - Page 75. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 22, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2088.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 75. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2088

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 75, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 22, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2088.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 75
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_092.jpg
Transcript VENICE, 75 introduced us to the reverend Dean, we have been able to " take things cool" for several days, and here we had the pleasure of an introduction to Miss Montalba, a very clever artist, who has recently been elected an associate of the Society of Water Colour Painters. She has a fine eye for colour, and Venetian subjects are admirably suited to her powers. The church is fortunately large, or the crowd of artists might look conspicuous at their work. A Spanish artist was working upon a very large canvas ; his point of sight taking in the high altar, with the statues and brilliant Mosaics upon grounds of gold ; the work was very clever, and promised when completed to prove an effective picture. Here also English, Irish, and American artists were busy with studies in oil and water colours, there being room enough for all, and any quantity of subjects. Venice is indeed a paradise for an architectural painter. In every direction, on the canals, the quays, the squares, the palaces, and the churches, innumerable subjects present