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Scraps from an artist's sketchbook
Page 68
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Scraps from an artist's sketchbook - Page 68. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. October 23, 2020. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2081.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 68. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2081

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 68, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed October 23, 2020, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2081.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
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Item Description
Title Page 68
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_085.jpg
Transcript 68 VENICE. Turner—the only artist who ever painted Venice as she traly is—come like a dream— There is a glorious city of the sea; The sea is in the broad and narrow streets, Ebbing and flowing, and the salt sea-weed Clings to the marble of her palaces. Soon after six o'clock we arrived at the station. Not a cab to be seen, but plenty of gondolas ; and having hailed one, we started on a tour of inspection, before deciding upon our lodgings. An artist friend who accompanied us was our guide, philosopher, and friend; one who knows the " Stones of Venice" as well as Mr. Ruskin (the present being his twenty-fifth visit) ; he directed the gondolier to row us along the Grand Canal; the morning being young, the air was deliciously cool coming over the lagoons; and the numerous craft moving along with their picturesque boatmen—the rich-coloured sails—the constant change of objects—the noble palaces—the column of the Lion of St. Mark, and that of the patron Saint Theodore, on the grand square—compose a picture that is perfectly unique, and there is certainly no other
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