Keyword
in
Collection
Date
to
Scraps from an artist's sketchbook
Page 60
Citation
MLA
APA
Chicago/Turabian
Scraps from an artist's sketchbook - Page 60. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 19, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2072.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 60. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2072

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 60, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 19, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2072.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

URL
Embed Image
Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 60
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_076.jpg
Transcript 60 FLORENCE. which is entirely open to the sky, the other two being partially covered in ; here the domestic drama and ballet were the entertainments. The day being a festa, two performances were given, one nominally at five, the other at eight o'clock. The former was very largely attended by the working classes and the contadini, who we imagine must have had to wait a considerable time for the performance, "just a-going to begin," as we who came for drama number two had to wait half-an-hour, or more, before they shoaled out. The whole was only second-rate, but seemed to give pleasure to the audience. And now to resume our visits to some of the artists' studios. Many of the artists themselves have fled to England and Paris to see the exhibitions of works of the year; still a few of the leading ones remain, to whom, through the kindness of Mr. J. H. Bradley, a resident English artist, we were introduced. Before proceeding to describe the works of others, we must mention those of our kind companion, whose talents are varied ; land-