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Scraps from an artist's sketchbook
Page 51
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Scraps from an artist's sketchbook - Page 51. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. February 25, 2021. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2062.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 51. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2062

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 51, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed February 25, 2021, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2062.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
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Item Description
Title Page 51
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_066.jpg
Transcript FLORENCE. 51 in every line of his face is evidently enjoying the fine flavour of the vintage, and we feel certain is at the same time paying compliments to the fair beauty. Both faces are full of meaning, and we have rarely seen any modern work so full of humour, broad, but refined, and with the most exquisite finish. Another work in progress was the most opposite in subject, and though only just commenced, we could see from the studies and sketches that it would when completed prove a most important picture—" The Duel." This gloomy subject represents the action as taking place on a wild sea shore, with a threatening mysterious sky; the combatants, with swords, have commenced their deadly combat, and we feel from the action and energy of the figures that the whole affair will be carried out to the bitter end. There is such knowledge and power in these works that many of his artistic friends regret Signor Vinea has given up the higher walks of art, having shown such great promise as an historical painter. Like many others, he could not always readily dispose of works of large
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