University of Houston Digital Library: Exotic Impressions, Views of Foreign Lands: Scraps from an artist's sketchbook

0 items

Keyword

Search Mode Search Query in Search Field Search Operator

Collection

Search Collection

Date

Search Date Range Date Range 1 to Date Range 2

Scraps from an artist's sketchbook

Page 39

OLD HOUSES IN THE GHETTO, ROME.

THE ARCH OF TITUS, ROME.

◀ Previous Item Next Item ▶

Citation

MLA

APA

Chicago/Turabian

Scraps from an artist's sketchbook - Page 39. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. September 18, 2021. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2048.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Email To: Send

(1877). Scraps from an artist's sketchbook - Page 39. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2048

Email To: Send

Scraps from an artist's sketchbook - Page 39, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed September 18, 2021, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2048.

Email To: Send

Cite Embed </> Print Item Save to Folder Request High-Resolution Image

▼

Compound Item Description

Title	Scraps from an artist's sketchbook
Alternative Title	Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)	Rothwell, Selim
Contributor (Local)	Pendleton, J. Greer
Publisher	Daily Chronicle
Date	1877
Subject.Topical (LCSH)	Artists
Subject.Geographic (TGN)	Rome, Italy Florence, Italy Venice, Italy
Genre (AAT)	books plates (illustrations) illustrations (layout features)
Language	English
Type (DCMI)	Text
Original Item Extent	118 pages; 12 leaves; 19 cm
Original Item Location	DG427 .R68 1877
Original Item URL	http://library.uh.edu/record=b2395052~S11
Digital Collection	Exotic Impressions: Views of Foreign Lands
Digital Collection URL	http://digital.lib.uh.edu/collection/exotic
Repository	Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL	http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction	No Copyright - United States
Identifier	exotic_201304_003

▼

Item Description

Title	Page 39
Format (IMT)	image/jpeg
File Name	exotic_201304_003_052.jpg
Transcript	ROME. 30 ornamental carved frame, which had been sadly worm-eaten, but was now restored and re-gilt, a fit surrounding for so noble a work. Mr. Moore then led us into an inner room, where, placed on an easel, in a good light, was this small work of Raphael's, yet perhaps the greatest ever produced in the world— Apollo and Marsyas. The figure of Apollo standing with his lyre on the right of the picture is of the most perfect Greek type, finer, if possible, in drawing than the celebrated statue in the Vatican. The Sun God looks down with disdain upon his would-be rival, who, seated on a bank to the left, and with pipe in hand (a musical one), has challenged glorious Apollo. The defeated musician was, according to the terms of the agreement, to be flayed alive, and the vultures are seen descending to commence their work upon the unhappy Marsyas. This gem of art is in the most wonderful preservation, and in the early style of the artist. Some few artists have doubted its originality, but there is scarcely a great painter of the Italian, French, German, and English schools, who has not