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Scraps from an artist's sketchbook
Page 38
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Scraps from an artist's sketchbook - Page 38. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. December 14, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2047.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 38. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2047

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 38, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed December 14, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2047.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 38
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_051.jpg
Transcript 38 ROME. but reverently bowing or wondering at the sight. Charming studies of the beautiful women of Capri, who have figured in many an English artist's picture, were hung on the walls, with rich artistic surroundings of furniture, dresses, glass, porcelain, and tapestry. Almost every artist's studio in Rome is of immense size, and their treasures are so rich and abundant that it would take days to study them. Having been introduced to Mr. Morris Moore, who formerly followed art as a profession, we asked his permission to be allowed to see the Raphael in his possession, which he readily granted. A day having been fixed, we, accompained by a friend, visited his house, when we were ushered into a room by his attendant: we found ourselves opposite a splendid portrait, by Titian, of some great naval commander whose name is lost, but the artist's name lives ; the portrait was full of life, the head and hands beautifully painted, the armour real, and the whole broad and grandly treated. It was in its original richly