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Scraps from an artist's sketchbook
Page 37
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Scraps from an artist's sketchbook - Page 37. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 14, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2046.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 37. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2046

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 37, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 14, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2046.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 37
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_050.jpg
Transcript &OME. 37 Mr. E. Barclay, a young English artist of great promise, who has been residing here for some time, and has now returned to England, exhibits three of his works in the Royal Academy this year. These, we are informed, were sent for exhibition last year and rejected. " Try them again," was the advice of his friends. It succeeded ; they are now well hung in this year's exhibition. We would ask what can be said of the judgment of the Selecting Committee which rejects one year what it accepts the next ? If this is not a piece of luck, if it does not confirm the remark we have previously made, we know not what does. Mr. Barclay's subjects are chiefly figures, treated with great originality. The work he was engaged upon at the time of our visit was the " Announcement to the Shepherds." The picture was far from complete, but the finished study for the work showed a beautiful arrangement of colour, and most masterly drawing of the various attitudes of the astonished shepherds, seated on the ground or just awakened from their sleep, with awe-struck expression, not of fear,