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Scraps from an artist's sketchbook
Page 34
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Scraps from an artist's sketchbook - Page 34. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 13, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2043.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 34. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2043

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 34, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 13, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2043.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 34
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_047.jpg
Transcript 34 ROME. quarter of that city. However, we were determined to obtain the sketch, and so came armed the following day with a friend and a stick, which produced a good result. On another occasion we found that the best plan was to hire a carriage and work from it with the hood down ; by this means we were comfortable, and had only a few passing admirers. Before continumg our visits to the artists' studios, which will conclude our Scraps from Rome, we may mention that the Via Sistina, where we had our residence, contains the workshops of most of the workers in Mosaics and the carvers in ivory, for which Rome and Florence are so justly celebrated, besides numerous sculptors' studios ; and here also at the two houses at the end of the street right and left, next to the beautiful drive on the Pincian, resided for many years two great artists—Claude Lorraine and Annabali Caracci. Here, no doubt, the great forerunner of our own Turner studied those glorious sunsets for which he is so well