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Scraps from an artist's sketchbook
Page 26
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Scraps from an artist's sketchbook - Page 26. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 22, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2034.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 26. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2034

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 26, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 22, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2034.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 26
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_038.jpg
Transcript 20 ROME. afternoon for our sketch, and an equally beautiful evening for an effect of colour. Working with all rapidity to secure the fleeting tints of the close of day, we found ourselves still lingering on the Campagna. The lovely fascination of this portion of old Rome cannot be described ; it is felt, but no writing can realise its mysterious beauty. And now to fulfil our promised sketch of some of the leading artists' studios. Commencing with Mr. Penry Williams ; on our first visit we were unfortunately unable to see the veteran artist, who for so many years has resided in Rome, and was the great friend of the late John Gibson, R.A., whose portrait he painted, and which was c; and published many years ago. On our second visit he most kindly received us. On the walls of his studio were hung a large number of copies which he had made from the greatest of the old masters, evidently having selected those for his models who were the most perfect masters of colour, Titian being his especial favourite. On his easel was a