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Scraps from an artist's sketchbook
Page 6
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Scraps from an artist's sketchbook - Page 6. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 14, 2019. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2011.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 6. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2011

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 6, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 14, 2019, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2011.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
Item Description
Title Page 6
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_015.jpg
Transcript 6 ROME. ^atherin^s. Several who have been e\- hibitors for the last ten years have had their works rejected. One well-known artist, whose works have been purchased by a Manchester dealer, has had all his pictures rejected, and the annoyance is so great that it is said he contemplates giving up his studio in Rome and settling in England. Many similar cases we have heard reported, and the general impression is, if an artist is hung—or his picture instead—he is saluted with "Ah! you've been lucky, old boy." This I believe to be the fact. Chance has more to do than merit with your work obtaining a place. The studios of the artists and sculptors are most interesting to visit, though at present they have only work in progress to show; their completed works having been sent to London or Paris. Our first visit was to Mr. Percival Ball's studio. This most promising young sculptor—a gold medallist of the Royal Academy, and whose works in terra cotta introduced in the building at South Kensington are the finest specimens in that