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Scraps from an artist's sketchbook
Page 5
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Scraps from an artist's sketchbook - Page 5. 1877. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. April 14, 2021. https://digital.lib.uh.edu/collection/exotic/item/2135/show/2010.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(1877). Scraps from an artist's sketchbook - Page 5. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/2135/show/2010

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Scraps from an artist's sketchbook - Page 5, 1877, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed April 14, 2021, https://digital.lib.uh.edu/collection/exotic/item/2135/show/2010.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Scraps from an artist's sketchbook
Alternative Title Scraps from an artist's sketch book, with illustrations from the author's original sketches in Rome, Florence, and Venice , photographed by J. Greer, Pendleton
Creator (Local)
  • Rothwell, Selim
Contributor (Local)
  • Pendleton, J. Greer
Publisher Daily Chronicle
Date 1877
Subject.Topical (LCSH)
  • Artists
Subject.Geographic (TGN)
  • Rome, Italy
  • Florence, Italy
  • Venice, Italy
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 118 pages; 12 leaves; 19 cm
Original Item Location DG427 .R68 1877
Original Item URL http://library.uh.edu/record=b2395052~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_003
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Item Description
Title Page 5
Format (IMT)
  • image/jpeg
File Name exotic_201304_003_014.jpg
Transcript ROME. 5 also, which, instead of crystals, had Looking glasses with small holes sufficient for the wearer to see through—some hundreds thus decked out according to the fancy, ire cannot say taste, of the wearer; and a1 the close of the procession a large wagon draw n by gaily-decked beautiful cream-coloured oxen, brought the god Bacchus with his attendants. Altogether, it was a sight worth seeing, though rather, to our mind. suggestive of the Knott Mill Pair line of business. Still, it showed how, after some months of close application in preparing their works for the Paris Salon and the Royal Academy, the artists r< la \ themselves. A number of sports and games followed, and the whole concluded, as is usual in I hi-land with a good dinner and plenty of lion Italian wine. Before speaking of the studios visited, I may mention that the treatment of many English painters resident here by the council of the Royal Academy has been frequently spoken about at the artN
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