Title | Constantinople and the scenery of the seven churches of Asia Minor |
Creator (LCNAF) |
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Contributor (Local) |
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Publisher | Fisher, Son, & Co. |
Date | 1838 |
Subject.Topical (LCSH) |
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Subject.Geographic (TGN) |
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Genre (AAT) |
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Language | English |
Type (DCMI) |
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Original Item Extent | 92 plates |
Original Item Location | DR 427 .A44 |
Original Item URL | http://library.uh.edu/record=b1817693~S11 |
Digital Collection | Exotic Impressions: Views of Foreign Lands |
Digital Collection URL | http://digital.lib.uh.edu/collection/exotic |
Repository | Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries |
Repository URL | http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library |
Use and Reproduction | No Copyright - United States |
Identifier | exotic_201304_011 |
Title | Page 6 |
Format (IMT) |
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File Name | exotic_201304_011_186.jpg |
Transcript | CONSTANTINOPLE AND ITS ENVIRONS ; MOSQUE OF BUYUK DJAMI, SCUTARI. ASIA MINOR. This epithet " Buyuk," or great, was conferred upon it, to distinguish it from the lesser mosques which adorn Scutari. It is known by the smallness of its dome, and by the balcony or gallery which runs round the outside. It stands on the edge of the water, near the scala, or landing-place for passing caiques. Beside it is the usual fountain, covered with the common aquatic birds, which the considerate charity of the Turks renders so tame, that they mix undisturbed with the bustle of the passengers. On the right is seen the distant summits of the cypress which fill the great cemetery. FOUNTAIN NEAR THE BABA HUMMAYOUN, OR GREAT GATE OF THE SERAGLIO. After climbing through various narrow, winding, steep, dark, and dirty streets, which form the great interior of the avenues leading through the city, the stranger emerges near the summit of one of the seven hills; and here the town assumes somewhat of a new and spacious character. He enters an irregular but open and extensive area, which was the " Forum Augusti" under the Greek empire, and which the Turks have not yet entirely choked up with narrow lanes. Here he walks through wider, more level, and better- paved streets, and sees, almost clustered together, the mosque of Santa Sophia, a noble kisla, or barrack, the opening of the Atmeidan, a beautiful fountain, and the Baba Hummayoun, or great entrance into the seraglio. The fountain, somewhat similar to that already described, was erected by Achmet III. in the beginning of the last century. It is crowned with domes, and ornamented with the usual arabesque sculpture, but it is particularly distinguished by bearing sundry poetical inscriptions composed by the imperial builder of it. Between the fountain and one entrance to the mosque of Santa Sophia is seen that of the seraglio. This gate, distinguished by its lofty arch, was therefore called Baba Hummayoun, or "the high door,'' by the Turks, which the French translate into "Sublime Porte:"* the term has become a designation for the cabinet of Turkish diplomacy, as before noticed. The gate was originally erected by Mahomet II. when he entered the Christian capital, and converted the residence of the priests of Santa Sophia into a palace for himself. It con- * Cettc porte dont lempire Ottomane a pris iiorn.—Toubn. |