Title | The story of Nuremberg |
Creator (LCNAF) |
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Contributor (Local) |
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Publisher | J. M. Dent & Co. |
Date | 1899 |
Subject.Topical (LCSH) |
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Subject.Geographic (TGN) |
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Genre (AAT) |
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Language | English |
Type (DCMI) |
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Original Item Extent | 303 pages; 18 cm |
Original Item Location | DD901.N93 H4 1899 |
Original Item URL | http://library.uh.edu/record=b1684865~S11 |
Digital Collection | Exotic Impressions: Views of Foreign Lands |
Digital Collection URL | http://digital.lib.uh.edu/collection/exotic |
Repository | Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries |
Repository URL | http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library |
Use and Reproduction | No Copyright - United States |
Identifier | exotic_201304_001 |
Title | Page 256 |
Format (IMT) |
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File Name | exotic_201304_001_257.jpg |
Transcript | The Story of Nuremberg of Christ, here the life and work of Mary are set forth. Many of the figures strongly recall those of the St. Lorenz statues. At the corners of the vestibule are statues of Karl IV. and his consort, and SS. Lorenz and Sebald. Above the rich and massive portal with its fine iron railings is the Chapel of St. Michael, whereon is to be seen an extraordinary old clock known to young and old in Nuremberg by the name of M Mannleinlaufen." The chronicles relate that 1\ IV., in memory of the " Golden Bull " (p. 39), which was drawn up in Nuremberg in 135^), and recorded what honours and reverences the electors of the Empire were to pay to the Emperor, caused an ingenious clockwork to be mounted over the portal of the church. The mechanism was so contrived that the seven electors passed at noon before the Emperor, who sat upon a throne and rec their reverent homage as they passed* The clock was renewed in 1509 by Georg Heuss (even since then it has twice been restored), and the figures were cast by the coppersmith, Sebastian Lindenast. Still, at the stroke of noon, much as in the old mediaeval days, the heralds blow their trumpets, the Emperor raises his sceptre, and out from their gloomy chamber the electors file forth and bow low in reverence to the dead representative of an empire which has ceased to exist. And they revive in our hearts something of the child-like pleasure which the Middle Ages took in these elaborate toys.1 But a sturdy English Protestant who lived in Nuremberg some forty years ago, took another view of the matter. 1 The clockworks at Prague. Strasburg and Wells tell the same tale. 256 |