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The story of Nuremberg
Page 221
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Headlam, Cecil. The story of Nuremberg - Page 221. 1899. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. September 20, 2019. https://digital.lib.uh.edu/collection/exotic/item/1669/show/1588.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil. (1899). The story of Nuremberg - Page 221. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/1669/show/1588

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil, The story of Nuremberg - Page 221, 1899, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed September 20, 2019, https://digital.lib.uh.edu/collection/exotic/item/1669/show/1588.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title The story of Nuremberg
Creator (LCNAF)
  • Headlam, Cecil
Contributor (Local)
  • James, H. M.
Publisher J. M. Dent & Co.
Date 1899
Subject.Topical (LCSH)
  • History
Subject.Geographic (TGN)
  • Nuremberg, Germany
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 303 pages; 18 cm
Original Item Location DD901.N93 H4 1899
Original Item URL http://library.uh.edu/record=b1684865~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_001
Item Description
Title Page 221
Format (IMT)
  • image/jpeg
File Name exotic_201304_001_224.jpg
Transcript rs to bumbling him, has already been turning ruddy on Sachs a of shoes not yet finished, plants himself at night I naidrn's window, in order to make trial of i which he hopes to win her by sinking it as a v so doing be hopes to secure nee voice in his favour at the adjudication of the prise. Sachs, whose cobbler's -he house thus serenaded, begins singing loudly a«. *oon as the marker strikes op, because, as he inform* aa must keep a* sting nobody knows better than the marker himself, who has donned him so mercilessly hoes! At lait he promises the poor wretch to stop ringing on condition that whatever faults he may fir the marker** song, he may be allowed to mark according to hit shocm vith a blow oi the hammer upon the shoe •tretched on th- m the marker >n the last again and again. The marker jumps up indignantly. Sachs ask* him nonchalantiy whether hi* *ong i» finished. 4 Not nearly,* he cries. Then Sachs laughingly holds up the shoes outside his shop, and declares j are now itrted, thanks to the •marker's strokes -he rest of his song, which in ion he scream* out without a pause, the mark lamentably before the lady, who appears at the window violent. her head. Disconsolate, he asks Sachs next day for anew soog for his wooing. Sachs gives him a poem by the youn,- pretending not to know its source: only be wan tune to which it may be sung. The conceited marker thinks he has nothing pect, and sings the soog before the public masters and people to a quite inappropriate tone, which vo disfigures it that he once more and this time decisively ion he accuse* Sachs of ha* ing cheated him by providing so base a soog. But Sachs si a very good or suitable tun. . hoover knows the right ioes this and win* »ion to th ; BV Sachs humorously defends the Master- Use1 closes with the i Though should depart The pride of Holy Rome, I at home acred German