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The story of Nuremberg
Page 212
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Headlam, Cecil. The story of Nuremberg - Page 212. 1899. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. April 21, 2021. https://digital.lib.uh.edu/collection/exotic/item/1669/show/1579.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil. (1899). The story of Nuremberg - Page 212. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/1669/show/1579

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil, The story of Nuremberg - Page 212, 1899, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed April 21, 2021, https://digital.lib.uh.edu/collection/exotic/item/1669/show/1579.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title The story of Nuremberg
Creator (LCNAF)
  • Headlam, Cecil
Contributor (Local)
  • James, H. M.
Publisher J. M. Dent & Co.
Date 1899
Subject.Topical (LCSH)
  • History
Subject.Geographic (TGN)
  • Nuremberg, Germany
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 303 pages; 18 cm
Original Item Location DD901.N93 H4 1899
Original Item URL http://library.uh.edu/record=b1684865~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_001
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Item Description
Title Page 212
Format (IMT)
  • image/jpeg
File Name exotic_201304_001_215.jpg
Transcript The Si ,,n ot v en and tohage the exuberant fancy of the artist has run riot. Bai all m subordinated to the two central ideas whi the whole, and all I delicacy and Bmsh little shot :>e whole fabric rests on tl with four dolphins at the corn' !' \ i died in [519 and was buried in the! Rochus Churchyard. His sons and Pankraz. Labenwo [ I 1 worthy successor t. Labenwolf wai responsible for tlu I i nen fountain in the ■■markt, the fountain in the Court of the Rathaus and perhaps be the Bt W Eel in the Lao - bans. \ ischer's de ons re- to conn I i ill of the I bcautirol rather had begun in 1513 fbl ger in Augsburg, who, however, had withdr ! . which divided the Great was a work of very gtv Hence. in ifl 6b] the ha\.»rian Govern and sold for the weight of the metal. It was probacy! melted down by the pa tor the sake of the I bronze. II trace of this beautiful work of! art has rJnsappea W< h fe now dealt with the most tamous of theI Nuremberg craftsmen. It would be wearisonM more than mention the leading nam branches of art host of locksmiths, glassc bookbinders an>' i out in the golden age of J Nuren, k which has never reo artist'il name, but which continues to delight us. The ; , which in spite of much modern | D is ones of Nuremberg's mo ;s possessions, is often ?| unknown hands. 1 such artists *• 212
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