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| Title | The story of Nuremberg |
| Creator (LCNAF) |
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| Contributor (Local) |
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| Publisher | J. M. Dent & Co. |
| Date | 1899 |
| Subject.Topical (LCSH) |
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| Subject.Geographic (TGN) |
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| Genre (AAT) |
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| Language | English |
| Type (DCMI) |
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| Original Item Extent | 303 pages; 18 cm |
| Original Item Location | DD901.N93 H4 1899 |
| Original Item URL | http://library.uh.edu/record=b1684865~S11 |
| Digital Collection | Exotic Impressions: Views of Foreign Lands |
| Digital Collection URL | http://digital.lib.uh.edu/collection/exotic |
| Repository | Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries |
| Repository URL | http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library |
| Use and Reproduction | No Copyright - United States |
| Identifier | exotic_201304_001 |
| Title | Page 212 |
| Format (IMT) |
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| File Name | exotic_201304_001_215.jpg |
| Transcript | The Si ,,n ot v en and tohage the exuberant fancy of the artist has run riot. Bai all m subordinated to the two central ideas whi the whole, and all I delicacy and Bmsh little shot :>e whole fabric rests on tl with four dolphins at the corn' !' \ i died in [519 and was buried in the! Rochus Churchyard. His sons and Pankraz. Labenwo [ I 1 worthy successor t. Labenwolf wai responsible for tlu I i nen fountain in the ■■markt, the fountain in the Court of the Rathaus and perhaps be the Bt W Eel in the Lao - bans. \ ischer's de ons re- to conn I i ill of the I bcautirol rather had begun in 1513 fbl ger in Augsburg, who, however, had withdr ! . which divided the Great was a work of very gtv Hence. in ifl 6b] the ha\.»rian Govern and sold for the weight of the metal. It was probacy! melted down by the pa tor the sake of the I bronze. II trace of this beautiful work of! art has rJnsappea W< h fe now dealt with the most tamous of theI Nuremberg craftsmen. It would be wearisonM more than mention the leading nam branches of art host of locksmiths, glassc bookbinders an>' i out in the golden age of J Nuren, k which has never reo artist'il name, but which continues to delight us. The ; , which in spite of much modern | D is ones of Nuremberg's mo ;s possessions, is often ?| unknown hands. 1 such artists *• 212 |