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The story of Nuremberg
Page 208
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Headlam, Cecil. The story of Nuremberg - Page 208. 1899. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 16, 2019. https://digital.lib.uh.edu/collection/exotic/item/1669/show/1575.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil. (1899). The story of Nuremberg - Page 208. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/1669/show/1575

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil, The story of Nuremberg - Page 208, 1899, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 16, 2019, https://digital.lib.uh.edu/collection/exotic/item/1669/show/1575.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title The story of Nuremberg
Creator (LCNAF)
  • Headlam, Cecil
Contributor (Local)
  • James, H. M.
Publisher J. M. Dent & Co.
Date 1899
Subject.Topical (LCSH)
  • History
Subject.Geographic (TGN)
  • Nuremberg, Germany
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 303 pages; 18 cm
Original Item Location DD901.N93 H4 1899
Original Item URL http://library.uh.edu/record=b1684865~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_001
Item Description
Title Page 208
Format (IMT)
  • image/jpeg
File Name exotic_201304_001_211.jpg
Transcript berg nd Stoss worked in the Gothic ityl Vischer (145$-15*9), the bronze foun<: eepl in his earl\ ich there are no ex in Nuremberg, show, the influence of th Perhaps this had COfDe to him through .lacopo dei Barbari, whose infli- noted. However that mav be, Peter Vischer remains a truly origin And vet, the son of a coppersmith, he continued to regard himself as 1 simple artisan. With I WOrknian9l tpron round his waist, with hammer and chisel in hand, the N his calling, he 1 ved himself to us in hi beautiful n I -the shrine oi niche facing the altar, M ck-set and full- bearded, the modest, pious labourer, whose reputation pread beyond the limits of < • whose bronze work, if we mav believe the chronicler, once 'Milled Poland, P>o! tl ., I I .-.,.:.: • ■ aces of princes throughout the Holy R.OTJ om did prince or potentate come to Nurem! ■. ing I it to Yischer's workshop. Adam Kr.itft and Sebat- tien Lindenast, the coppersmith who orks of art of copper u gold or and who is responsible for the O which adorn the Frauenkirche ch- his two bosom friends. They seei but one heart. All thi and ever eager to learn. "They were like bfvX every Fin . n in their old age, they met and studied together like apprentices, as the designs which they executed at their meetings nrore. Then thev separated in triendl tt without ha\; drunk together/' The Vischer is without doubt the shrine ot St. Sebald, tin- highest exi German art in this kind. I on, which 208