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The story of Nuremberg
Page 193
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Headlam, Cecil. The story of Nuremberg - Page 193. 1899. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. September 22, 2019. https://digital.lib.uh.edu/collection/exotic/item/1669/show/1560.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil. (1899). The story of Nuremberg - Page 193. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/1669/show/1560

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil, The story of Nuremberg - Page 193, 1899, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed September 22, 2019, https://digital.lib.uh.edu/collection/exotic/item/1669/show/1560.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title The story of Nuremberg
Creator (LCNAF)
  • Headlam, Cecil
Contributor (Local)
  • James, H. M.
Publisher J. M. Dent & Co.
Date 1899
Subject.Topical (LCSH)
  • History
Subject.Geographic (TGN)
  • Nuremberg, Germany
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 303 pages; 18 cm
Original Item Location DD901.N93 H4 1899
Original Item URL http://library.uh.edu/record=b1684865~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_001
Item Description
Title Page 193
Format (IMT)
  • image/jpeg
File Name exotic_201304_001_196.jpg
Transcript The Arts and Crafts Venice in 1505. Here he painted for the German colony, as an altar-piece in the Church of St. Bar- tolommeo, the Madonna dd Rosario% now at Prague. This picture contain* portraits of Maximilian, Julius II.. aeimer, and several German mer chants. So great was the admiration roused by it that the Doge visited the artist and endeavours were made to induce him to live permanent ice. But in 15c of all temptations, he returned to his native town and proceeded to execute many commis- In l$ct^ he obtained ar on from the Council to prevent the fraudulent copying of his prints. In the same year a Nuremberg worthy, Matt ha us :, added a chapel to the almshouses (Zu bruderhaus or Landauerkloster) he had founded 1501. The chapel was dedicated to All Saints, and Dur vited to paint an altar-piece for it, repre senting 4* 'ration of the Trinity by all Sair The result, the Allerheiligenbild, is one of the artist's noblest and most famous compositions, but it too has the Rat sold it to Emperor Rudolph II. a copy for which :ncd the < me. In 1 5C9 Durer bough* er-haus and took his aged mother to live with him there. He also bought hi a" house in the Burgstrasse off his brother. This in itself shows that the stories of his een much exaggerated. On his death he left 6858 gulden—a s-ery good fortune in those days. His conne* an, to which we have ed,1 no doubt brought him some thing, though he had difficulty in procuring the J ment of the pension allowed him I mperor. The Council, in i$to, at last gave a sign that tt were aware of the presence of a great artist in it ■