Keyword
in
Collection
Date
to
The story of Nuremberg
Page 187
Citation
MLA
APA
Chicago/Turabian
Headlam, Cecil. The story of Nuremberg - Page 187. 1899. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 16, 2019. https://digital.lib.uh.edu/collection/exotic/item/1669/show/1555.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil. (1899). The story of Nuremberg - Page 187. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/1669/show/1555

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil, The story of Nuremberg - Page 187, 1899, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 16, 2019, https://digital.lib.uh.edu/collection/exotic/item/1669/show/1555.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

URL
Embed Image
Compound Item Description
Title The story of Nuremberg
Creator (LCNAF)
  • Headlam, Cecil
Contributor (Local)
  • James, H. M.
Publisher J. M. Dent & Co.
Date 1899
Subject.Topical (LCSH)
  • History
Subject.Geographic (TGN)
  • Nuremberg, Germany
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 303 pages; 18 cm
Original Item Location DD901.N93 H4 1899
Original Item URL http://library.uh.edu/record=b1684865~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_001
Item Description
Title Page 187
Format (IMT)
  • image/jpeg
File Name exotic_201304_001_191.jpg
Transcript t Arts and Craj replies, -and. to prove it. you may watch me.' Then taking up one of the same brushes, he drew some very long, wary tresses, *>uch as women generally wear, in the most regular order and symmetry. Bellini looked on wondering, and afterwards admitted that no human being could have convinced him ;>ort of the truth of that which he had seen with his own Nature had given him a body," says the same wr. huihi an. consonant with the beautiful mind it contained. His head was expressive, the eyes flashing, the nose nobly formed, and what the Greeks called TCTpdywvo* (Roman eck was long, and his chest broad r, and legs powc: And most noteworthy of all are his exquisitely beautiful hands and fingers, which strike us equally in the portr boy of thirteen, and in the Munich portrait which forms our frontispiece. No ooe who studies the latter picture can fail to notice how closely the countenance of Durer approaches the t of .lesus Christ in art. The artist, indeed, was conscious of this himself, for his own representations of C: bear a resemblance to his own features. ■OS proceed to live in the house of his } as was customary, but, up his abode in his father's house. It w :>ut it is as an >ld on the world—and still retail ng had been practised rly as the first qua: had loped out of the goldsmith's art, and per- id Martin Schongatier. I emand for engravings. srith ning the much needed ■ family, Doref at hrs: devoted himself to this art. can • nough the progress of the artist as he 1 tion of a subject, but by the aid of landscape grounds, a picture, an a ole on the