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| Title | The story of Nuremberg |
| Creator (LCNAF) |
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| Contributor (Local) |
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| Publisher | J. M. Dent & Co. |
| Date | 1899 |
| Subject.Topical (LCSH) |
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| Subject.Geographic (TGN) |
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| Genre (AAT) |
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| Language | English |
| Type (DCMI) |
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| Original Item Extent | 303 pages; 18 cm |
| Original Item Location | DD901.N93 H4 1899 |
| Original Item URL | http://library.uh.edu/record=b1684865~S11 |
| Digital Collection | Exotic Impressions: Views of Foreign Lands |
| Digital Collection URL | http://digital.lib.uh.edu/collection/exotic |
| Repository | Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries |
| Repository URL | http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library |
| Use and Reproduction | No Copyright - United States |
| Identifier | exotic_201304_001 |
| Title | Page 186 |
| Format (IMT) |
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| File Name | exotic_201304_001_190.jpg |
| Transcript | Tlh Nure/i After my return Hans Frey came to an understanding with my tat her. He nil daughter Agnes with her 200 florins, and we were married.'' D who writes so lovingly of his parents, m "ions his Wife with any affection : a fact which to some extent confirms her reputation as a Xantippe. S too, in her way, it is suggested, practised the art of cross-hatching. Pirkheimei, writing alter the artist's death, savs that bv DC OUSness and quarrelling nature she brought him to the grave before his day. She was profa -man of I and prosaic turn, to whom the dreamy, poetic, imaginative nature of the artist Student, her husband, was intolerably irritating. \ ortraits of himself —and no man except Rembrandt has painted himself so often—it is difficult to understand how anyone could hast with Albert Durer. Never did the face of man bear I more sweet, t> expression. In those port- see something of the beam man beloved h his generation. His fondness for line clothes and his legitime! in his personal beauty d themselves in the rich \ tlu- wealth of silken curls, M J, SO wondrously painted, falling proudly o ee neck. Joachim Carnerarina, to I the Melanchthon (gymnasium in Nuremberg, tells a story of how the Giovanni Bellini ono r to present him with one of the brushes with which he diew bail " Dorer immediately prodi aary brosfa BeUhsl him.self used, ami begged bira tot r all it he would. Bellini sai OOSt with which you draw levetal bain with on I bey must be mors ipread oul and in i long iweep men ranlarii could not be piesaiiusV ' i ass no other than • 1S6 |