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The story of Nuremberg
Page 183
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Headlam, Cecil. The story of Nuremberg - Page 183. 1899. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. September 20, 2019. https://digital.lib.uh.edu/collection/exotic/item/1669/show/1551.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil. (1899). The story of Nuremberg - Page 183. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/1669/show/1551

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil, The story of Nuremberg - Page 183, 1899, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed September 20, 2019, https://digital.lib.uh.edu/collection/exotic/item/1669/show/1551.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title The story of Nuremberg
Creator (LCNAF)
  • Headlam, Cecil
Contributor (Local)
  • James, H. M.
Publisher J. M. Dent & Co.
Date 1899
Subject.Topical (LCSH)
  • History
Subject.Geographic (TGN)
  • Nuremberg, Germany
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 303 pages; 18 cm
Original Item Location DD901.N93 H4 1899
Original Item URL http://library.uh.edu/record=b1684865~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_001
Item Description
Title Page 183
Format (IMT)
  • image/jpeg
File Name exotic_201304_001_187.jpg
Transcript fl Art \ ■ Crafts earliest works show the influence of the Flemish School in full vigour. It was in t he married the widow of Hans Plcydenwurf, a painter of some reputation, and in his house, beneath the old Castle, proceeded to carrv on the in W olgemut and Pleydenwurf. From this workshop all the principal painting! of - period would seem to have issued. It is extremely difficult to de mow far the pictures that have hitherto passed under the name of are really bta, The master has certainly failed as a rule to stamp his own personality on his works. This is no doubt due in great part to the fact that he much of each picture to be done by his pupils and assistanta. The ok a frankly business view of their handiwork. The amount of personal atten- iel Wolgemut gave to a picture probably varied with the It is unfortunate that Durer in many cases followed the same custom. He found that his careful and elaborate style of painting was ly beggaring him, and he frequen- tore allowed bis paintings to be finished by his assistants. common characteristics of the Plevdcnwurf- Wolj vhool soon impress themselves on us as we study thei. '..scum, or the Chi. 'ohn, and drapery is stiffly drawn but the colouring id brilliant. The modelling of the limbs, not founded on Durer's close studies of nude, still leaves much to be desired. eful, but on closer acquaintance find it soulless and unsatisfying. The prominent cb« ^°ne \presston of almond-shaped , thin lips and lifeless mouths produce an impression the almost painful »nte | irer'spo Oral osc an increasing sever