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The story of Nuremberg
Page 182
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Headlam, Cecil. The story of Nuremberg - Page 182. 1899. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. April 7, 2020. https://digital.lib.uh.edu/collection/exotic/item/1669/show/1550.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil. (1899). The story of Nuremberg - Page 182. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/1669/show/1550

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil, The story of Nuremberg - Page 182, 1899, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed April 7, 2020, https://digital.lib.uh.edu/collection/exotic/item/1669/show/1550.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title The story of Nuremberg
Creator (LCNAF)
  • Headlam, Cecil
Contributor (Local)
  • James, H. M.
Publisher J. M. Dent & Co.
Date 1899
Subject.Topical (LCSH)
  • History
Subject.Geographic (TGN)
  • Nuremberg, Germany
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 303 pages; 18 cm
Original Item Location DD901.N93 H4 1899
Original Item URL http://library.uh.edu/record=b1684865~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_001
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Item Description
Title Page 182
Format (IMT)
  • image/jpeg
File Name exotic_201304_001_186.jpg
Transcript / Nuremberg of one of their number. v example is that of Paul Stromer (i4,c/>) in St. Loren/kirche. The oldest Nuremoerg j)icturc is said to be an altar- in St. Jakobakirche. A great n this awkward work is the celebrated Imhoff'sche Altar-piece in the 1 ,01 en/kirche (141S-22). Of the same period, but more full of colour anil mown; tctures of the Deokami Altar in the same church, of the Sacristy in St. Jakobskirche, and notably Tucherache Altar in the Pranenkirche (1440). The figures in this picture are more 1 also more onj than the graceful, soft, full figures of the ImhorPsche Altai-] . The names of thi- painters of these woiks are unknown. BerthoMj who was commissioned 1 Council in I423 to paint the interior of the the only early painter of note f/hose name has s To him some of th epitaphs > to be attributed. So far no outside influence had affected the work of the Nuremberg painters. Th at to supply their pictures with plain gold backgrounds and to subordinate the composition of them to the requirements of the (biding divisions of the altar-pieces, in stone or wood. The grouping is therefore often crowded and the drawing and a-nt of the limbs and figures frequently approaches the grotesque. But presently, and probably through the agenc\ Schongauer, the fain ^ the influence of the Flemish School began to make felt The introduction of lai rounds and a mat improvement in drawing and are noticeable, and ma\ d in the I ...delholz Altar-piece in St. Sehald'i (145^). In these n and in the smooth and brilliant colouring, not quite tly harmonised, .1/ 182
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