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The story of Nuremberg
Page 176
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Headlam, Cecil. The story of Nuremberg - Page 176. 1899. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. University of Houston Digital Library. Web. November 12, 2019. https://digital.lib.uh.edu/collection/exotic/item/1669/show/1545.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil. (1899). The story of Nuremberg - Page 176. Exotic Impressions, Views of Foreign Lands. Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/exotic/item/1669/show/1545

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Headlam, Cecil, The story of Nuremberg - Page 176, 1899, Exotic Impressions, Views of Foreign Lands, Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries, accessed November 12, 2019, https://digital.lib.uh.edu/collection/exotic/item/1669/show/1545.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title The story of Nuremberg
Creator (LCNAF)
  • Headlam, Cecil
Contributor (Local)
  • James, H. M.
Publisher J. M. Dent & Co.
Date 1899
Subject.Topical (LCSH)
  • History
Subject.Geographic (TGN)
  • Nuremberg, Germany
Genre (AAT)
  • books
  • plates (illustrations)
  • illustrations (layout features)
Language English
Type (DCMI)
  • Text
Original Item Extent 303 pages; 18 cm
Original Item Location DD901.N93 H4 1899
Original Item URL http://library.uh.edu/record=b1684865~S11
Digital Collection Exotic Impressions: Views of Foreign Lands
Digital Collection URL http://digital.lib.uh.edu/collection/exotic
Repository Kenneth Franzheim II Rare Books Room, William R. Jenkins Architecture and Art Library, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/william-r-jenkins-architecture-art-library
Use and Reproduction No Copyright - United States
Identifier exotic_201304_001
Item Description
Title Page 176
Format (IMT)
  • image/jpeg
File Name exotic_201304_001_181.jpg
Transcript Tl original state with the aid of Professor Wanderer1!; architectural and antiquarian skill. Reproductions ot Durer*! works are also kept here. The most saperficial acquaintance with Durer*! drawings will pared us for the sight of his simple, unpretentious house and .ts. In his " Birth ot he gives of the German home of his day, where then B super- tluous knick-knacks, but everything which sen daily use Wai well and strongly made and of good Ceilings, windows, doors and door-handles, chests, locks, erpots, the very cooking utensils, all betray the fine taste and skilled labour, the personal interest of the man who them. So in Durer's hou to-day, we can still see and admire the i -nplicity of domestic furniture, which distinguishes that in the " Birth of the Virgin." The coffers, the solid tables, tl - the well-fitting cabinets let into the walls, the wrought metal- work we see there are not luxurious; the (]uite other than that. In workmanship as in design, how utterly do they put to si of the ordinary u luxuriously furnished ap.irtments " of the nt day ! Simplex munditiis is the note struck here. The artists of those days gave themselves no they were content to regard themselves mc isful workmen. 'I hands tl the most splendid cathedral stalls wei< equal care on the n whilst the sim; tl tilled with the ambition to turn out work tr nicd at | tion, sharing in hi ! and triumphs, and hoping, no doubt, to produce himself. I ~()