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PAPER SESSIONS
—Session 36—
Figure and Text I
Room 112
Chair: Amy Golahny, Chatham College, Pittsburgh,
PA.
Jane P. Davidson, Univ. of Nevada, Reno, "The
Illustrations of Molitor's 'De Lamiis et Phitonicis
Mulieribus': An Example of Textual Derivation of
Imagery." (witchcraft imagery)
Kirsten H. Powell, Middlebury College, VT, "Millet's
'Death and the Woodcutter': A Vision of Fate and
Fortitude."
Vojtech Jirat-Wasiutynski, Queen's Univ., Ontario,
"Interpretation vs. Illustration: Odilon Redon's
Drawings and Lithographs for Edmond Picard's 'Le
Jure'."
Eric T. Haskell, Scripps College, Claremont, CA., "Baudelaire's Fleures du Mai Illustrated by Redon and
Orazi."
—Session 37—
Higher States of Consciousness
Room 108
Chair: Ralph Yarrow, Univ. East Anglia, England.
Peter Malekin, Univ. Durham, "Remembering the Future:
Gene Wolfe's Book of the New Sun."
Carmine Saracino, Elizabethtown College, "Natural Law
and the Monster."
John H. Flodstrom, Univ. Louisville, "The Limits of
Human Nature: Higher States of Consciousness in
Literature."
—Session 38—
The Semblance of Fantasy in Kafka
Room 110
Chair: Ernest Weiser, Florida Atlantic Univ., Boca
Raton, FL.
Kurt J. Fickert, Wittenberg Univ., Springfield, OH,
"Kafka's Death Fantasy in Amerika."
Joseph FrancaviUa, State Univ. of New York, Buffalo,
"Kafka's Doubles in The Metamorphosis and "The
Judgment"."
Samuel J. Bernstein, Northeastern Univ., Boston, MA,
"The Aesthetics of Franz Kafka's Comprehensive
Fantasy 'A Hunger Artist': An Appreciative
Response."
—Session 39—
Beyond The Visible
Room 106
No Chair
Terence M. Green, Toronto, Ontario, "Robertson Davies:
Beyond the Visible World."
Robert Geary, James Madison Univ., Harrisonburg, VA.,
"From Providence to Terror: The Supernatural in
Gothic Fantasy."
PAPER SESSIONS
—Session 40—
"A" For Atomic, "F" For Fallout:
The Report of Science in Science Fiction
Since World War II
Room 118
Chair: Joseph Marchesani, Pennsylvania State,
Hazelton, PA.
Paul Brians, Washington State, "The Revival of Learning:
Science After the Nuclear Holocaust in Science
Fiction."
Joseph Marchesani, Pennsylvania State, "What Do You
Mean, 'What If...?'"
Lester D. Friedman, "Canyons of Nightmare: The Jewish
Fantasy Film."
Friday, 4 -5:30 p. m.
—Session 41—
Fantasy Fiction for Children
Allamanda Room
Chair: Nancy E. James, New Wilmington, PA.
Don Riggs, Coker College, "Avuncular Narration in The
Hobbit."
Louisa A. Smith, Illinois State, "Historical Fantasy: An
Exploration of the Similarities in Kipling's Puck of
Pook's Hill and Nesbit's The Story of the
Amulet."
James Whitlark, Lubbock, TX., "A Taoist Approach to
Visionary Imagery in Le Guin's Earthsea Trilogy."
—Session 42—
Victorian Versions of Lilith
Room 100
Chair: Fay T. Greenwald, Mercy College, Dobbs
Ferry, NY.
Diane Richard-Allerdyce, Univ. Florida, "George
Mac Donald's Lilith: Uniting Fancy and Imagination."
Joel Feimer, Mercy College, "Lilith in Egypt: Meriamun
of The World's Desire."
Joshua Barrett, Mercy College, "Strauss' 'Salome'."
—Session 43—
Figure and Text II
Room 112
Chair: Amy Golahny, Chatham College, Pittsburgh,
PA.
Diane Lesko, Lycoming College, Williamsport, PA,
"Ensor's 'Tribulations of St. Anthony'."
Charlotte Stokes, Oakland Univ., "Surrealist Vision: The
Words and Collages in Max Ernst's Reve d'une
Petite FiUe Oui Voulut Entrer Au CarmeL"
Raymond LePage, George Mason Univ., Fairfax, VA,
"Alexander Calder—Illustrator of LaFontaine."
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