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Third International Conference on the Fantastic in the Arts, Program
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International Conference on the Fantastic in the Arts. Third International Conference on the Fantastic in the Arts, Program - Page 10. March 10, 1982 - March 13, 1982. Special Collections, University of Houston Libraries. University of Houston Digital Library. Web. October 23, 2020. https://digital.lib.uh.edu/collection/1984_003/item/1216/show/1182.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

International Conference on the Fantastic in the Arts. (March 10, 1982 - March 13, 1982). Third International Conference on the Fantastic in the Arts, Program - Page 10. Fritz Leiber Science Fiction & Fantasy Convention Flyers & Programs. Special Collections, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/1984_003/item/1216/show/1182

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

International Conference on the Fantastic in the Arts, Third International Conference on the Fantastic in the Arts, Program - Page 10, March 10, 1982 - March 13, 1982, Fritz Leiber Science Fiction & Fantasy Convention Flyers & Programs, Special Collections, University of Houston Libraries, accessed October 23, 2020, https://digital.lib.uh.edu/collection/1984_003/item/1216/show/1182.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Title Third International Conference on the Fantastic in the Arts, Program
Creator (LCNAF)
  • International Conference on the Fantastic in the Arts
Date March 10, 1982 - March 13, 1982
Description Program book for the Third International Conference on the Fantastic in the Arts.
Donor Leiber, Fritz; Leiber, Justin
Subject.Topical (LCSH)
  • Science fiction conventions
  • Fantasy fiction
  • Science fiction
Subject.Name (LCNAF)
  • Leiber, Fritz
  • Stoppard, Tom
  • Ellmann, Richard
  • Delany, Samuel R.
  • Ellison, Harlan
  • Pohl, Frederik
  • Aldiss, Brian W.
  • Wolfe, Gene
  • Gunn, James E.
  • Malzberg, Barry N.
  • DiFate, Vincent
  • International Conference on the Fantastic in the Arts
Subject.Name (Local)
  • Digby, John
Subject.Geographic (TGN)
  • Boca Raton, Florida
Genre (AAT)
  • brochures
Language English
Type (DCMI)
  • Text
Original Item Location ID 1984-003, Box 57, Folder 14
ArchivesSpace URI /repositories/2/archival_objects/5286
Original Collection Fritz Leiber Papers
Digital Collection Fritz Leiber Science Fiction & Fantasy Convention Flyers & Programs
Digital Collection URL http://digital.lib.uh.edu/1984_003
Repository Special Collections, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/special-collections
Use and Reproduction Rights Undetermined
File Name index.cpd
Item Description
Title Page 10
Format (IMT)
  • image/jpeg
File Name uhlib_1984_003_b057_f014_040_011.jpg
Transcript GLORIA KLINE, Florida Atlantic University. "The Three Bushes": Yeats's Auseinandersetzung with the Anima." Yests's late ballad, "The Three Bushes," is an epitome of his life-long quest for the complete love — a relationship satisfying body, soul, and intellect — revealing both his failure to achieve it in life and his undying faith in the validity of its image in poetry. The ballad can be read as a dramatization of Yeats's approach to an understanding with his anima, the Auseinandersetzung that Jung urged for men in danger of anima-possession. ST. GEORGE TUCKER ARNOLD, JR., Florida International University. "The Dragon in the Delta: The Hero Archetype in Eudora Welty's 'The Wide Net.™ "The Wide Net" dramatizes the Trial of the Hero in the life of a young farmer, his wife, and their community. William Wallace is the paragon of maleness; his pregnant wife, Hazel, epitomizes feminine mystery: she baffles William by her whims, finally leaving a note saying she's drowned herself. All males of the hamlet gather to drag the river. William triumphs in prodigious dives to the depths of the river, and confrontation with the "King of the Snakes." His daring regains him Hazel; his heroic adventure represents enrichment of his archetypal masculinity with anima-awareness of darkness and depths. ADRIAAN DE WIT, Kent State University. "Ionesco's La Lecon: Not so Absurd Archetypal Wisdom of the Unconscious." A fiftyish professor will coach a coed to the "total doctorate in three weeks' time." He is timid, she a lively, dynamic student, but progressively these attitudes reverse. Despairing of success in inculcating all this "nonsense," he kills her in a symbolic rape-murder. Here are the first two movements of the Triadic Rhythm of Humanization (Ziolkowski): (feminine) unity, (masculine) dichotomy (ending in destruction). But we are left guessing about the much needed (feminine-masculine) integration. With this unfinished myth, Ionesco, like a modern Cassandra, issues a warning. Will the (murderous) one-sided masculine aspect of the world come to its sense and "marry" the (resurrected) feminine aspect, or will it remain stuck, like the professor, in a horrendous vicious circle? 11 A DIALOG WITH GENE WOLFE Allamanda Room CHAIR: Thomas D. Clareson, Wooster College GENE WOLFE, Author, and THOMAS D. CLARESON. "A Dialog with Gene Wolfe: Prinipally The Book of the New Sun" The dialogue will focus primarily upon those novels comprising The Book of the New Sun, although other high points in Wolfe's career will be included. One center of discussion will be whether or not the novels should be regarded as science fiction or fantasy—or whether or not that distinction is in itself highly important. 12 MYTH AND RELIGION Room 108 CHAIR: Henry R. Norton, Huntington College. JUDITH J. KOLLMAN, University of Michigan, Flint, "The Place of Humor in Charles Williams' The Place of the Lion." in In The Place of the Lion the angels arrive twentieth century England. They are present under •normal—that is, natural—circumstances in the material world, but in dilute and mixed forms, so that they ordinarily are not destructive. However, when they come in pure form, they initiate a premature armageddon. Under these circumstances one hardly expects to be amused; nevertheless, the novel accomodates light irony, satire, and genuine wit, because the universe is, for Williams, a place ruled by intelligence and humor that helps one maintain one's perspective in an ordered but imperfect world. MALCOLM SOUTH, East Carolina University, "The Virgin and the Unicorn: A Reexamination of the Myth." The best known belief about unicorns is that only a virgin can capture the unicorn. The myth has great appeal because variations on the central story are possible and the story suggests significant themes. For example, it may be considered a story of temptation, or the unicorn's taming may symbolize the subjection of fierceness by purity. During the Middle Ages the taming symbolized Christ's incarnation. Although it now lacks that powerful appeal the symbolism is of universal significance. 13 FANTASY IN ITALIAN LITERATURE Room 110 CHAIR: Mario B. Mignone, York at Stony Brook. State University of New DONNA MANCUSI-UNGARO, Rutgers University, "Reductio ad Absurdum: The Social Satire in Italian Film." Through an analysis of some scenes in which social situations of Italian Life are satirized, it will become evident that the fantastic exaggeration of customs and social situations are very frequent in such Italian films as Seduced and Abandoned, Bread and Chocolate and The City of Women, creating a visual spectacle that is typical of Italian art. EMANUEL L. PAPARELLA, University of Puerto Rico, "Vichian and Joycian Elements in Conversations in Sicily." » The apparently neorealistic elements o Conversations in Sicily hide myths which could be explained and understood by establishing links with some of those treated by Vico and Joyce. Fantasy is at the base of these understandings. THOMAS VESCE, Mercy College, "The Fantastic Sway of the Sibyl, Queen of the Earthly Paradise." This paper is essentially a review of the 11