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Third International Conference on the Fantastic in the Arts, Program
Page 6
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International Conference on the Fantastic in the Arts. Third International Conference on the Fantastic in the Arts, Program - Page 6. March 10, 1982 - March 13, 1982. Special Collections, University of Houston Libraries. University of Houston Digital Library. Web. October 23, 2020. https://digital.lib.uh.edu/collection/1984_003/item/1216/show/1178.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

International Conference on the Fantastic in the Arts. (March 10, 1982 - March 13, 1982). Third International Conference on the Fantastic in the Arts, Program - Page 6. Fritz Leiber Science Fiction & Fantasy Convention Flyers & Programs. Special Collections, University of Houston Libraries. Retrieved from https://digital.lib.uh.edu/collection/1984_003/item/1216/show/1178

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

International Conference on the Fantastic in the Arts, Third International Conference on the Fantastic in the Arts, Program - Page 6, March 10, 1982 - March 13, 1982, Fritz Leiber Science Fiction & Fantasy Convention Flyers & Programs, Special Collections, University of Houston Libraries, accessed October 23, 2020, https://digital.lib.uh.edu/collection/1984_003/item/1216/show/1178.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Third International Conference on the Fantastic in the Arts, Program
Creator (LCNAF)
  • International Conference on the Fantastic in the Arts
Date March 10, 1982 - March 13, 1982
Description Program book for the Third International Conference on the Fantastic in the Arts.
Donor Leiber, Fritz; Leiber, Justin
Subject.Topical (LCSH)
  • Science fiction conventions
  • Fantasy fiction
  • Science fiction
Subject.Name (LCNAF)
  • Leiber, Fritz
  • Stoppard, Tom
  • Ellmann, Richard
  • Delany, Samuel R.
  • Ellison, Harlan
  • Pohl, Frederik
  • Aldiss, Brian W.
  • Wolfe, Gene
  • Gunn, James E.
  • Malzberg, Barry N.
  • DiFate, Vincent
  • International Conference on the Fantastic in the Arts
Subject.Name (Local)
  • Digby, John
Subject.Geographic (TGN)
  • Boca Raton, Florida
Genre (AAT)
  • brochures
Language English
Type (DCMI)
  • Text
Original Item Location ID 1984-003, Box 57, Folder 14
ArchivesSpace URI /repositories/2/archival_objects/5286
Original Collection Fritz Leiber Papers
Digital Collection Fritz Leiber Science Fiction & Fantasy Convention Flyers & Programs
Digital Collection URL http://digital.lib.uh.edu/1984_003
Repository Special Collections, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/special-collections
Use and Reproduction Rights Undetermined
File Name index.cpd
Item Description
Title Page 6
Format (IMT)
  • image/jpeg
File Name uhlib_1984_003_b057_f014_040_007.jpg
Transcript union with her bone describes the esca mysterious knowledge Propertius even from cremated Roman matron living and the dead Underworld. By means macabre elements, the the barriers of physic s in the grave. The second pades of Cynthia whose and magical powers reach afar. In the third, a newly speaks directly to both the from the threshold of the of magical, otherworldly and lovers in these poems cross al separation and death. MICHAEL CHEILIK, Herbert H. Lehman College, New York. "Ancient Roman Werewolves." The werewolf can be traced back to the paleolithic period. One of the oldest human rituals involves therianthropy, and in areas where wolves were found, lycanthropy. Among ancient Indo-Europeans the warrior caste was identified with wolves, and in daughter cultures this tradition remained. Thus Romulus and Remus were suckled by the Capitoline wolf and one of the chief Spartan gods was Apollo Lykios (lyk-wolf). During the Roman Empire this tradition had become folklore, a source of literary motifs. The werewolf story in Petronius' Satyricon is not overly different from the Hollywood werewolf epics of the 1930s and '40s. slides illustrate Nattini's grasp of Dante's intellectual and visual imagination, and invite * comparison with Dore and Sandro Botticelli. (Slide lecture). Wed. 10 p. m. 1981 WHITNEY MUSEUM FILM EXHIBITION SELECTED FILMS Coral Ballroom 10-11:10 p.m. HIDDEN TRACINGS. 1980, United States. Directed by Barry Gerson. "... explores the dichotomy of motion wrought by a collision between edited motion and the natural motion of a white sheet billowing against a stark blue sky... the Zen of motion." Barry Gerson. EXPOSED FRAGMENTS. 1980, United States. Directed by Barry Gerson. "An old seaside hotel porch at the intense moment before a storm, and subsequently during that storm, is the subject for a transformation of time and space through the creation of 'subtly contructed' (split screen) images." — Barry Gerson. THE INFERNO IN WESTERN Suite 112 LITERATURE CHAIR: Jo M. Turk, Florida Atlantic University. JOHN F. MILLER, North Texas State University. Underworld in Homer's Fantasy." "The Homer's world view implies other dimensions (astral, mental, spiritual) and other vehicles in which consciousness inheres, as well as life scripts for man and karma (hubris/nemesis). Theologically, Odyyseus' entire trip into the underworld is itself a symbol of the soul's descent into matter and its working out of its destiny and karma under the direction of the gods and the individual's own immortal soul. CARMELA PINTO, Florida International University. "Ben Jonson's Infernal Voyage." Through the journey of Shelton and Heyden down the sewer of Fleet Ditch, in Jonson's "Famous Voyage," a mock epic, the poet indicts the Jacobean milieu: lawyers, prisons, politicians. Readers must learn to distinguish between the natural waste and decay necessary for cleansing, and the diseased offal produced by overindulgence in food, drink, or sex. Jonson's scatological plainness demonstrates the link between diseased spirit and foul matter. Jonson's careful direction of readers down Fleet Ditch teaches the perception necessary for judgment and moral action in the world of puiblic affairs. SAMUEL H. VASBINDER, Canton, Ohio, Art Institute. "Amos Nattini's Lithographs for Dante's Inferno." Nattini, an Italian artist from Parma, created his lithographs for Dante's Divine Comedy between 1919 and 1939. They appeared in a sumptuously produced connoisseur's edition, an elephant folio measuring two by three feet, printed in gold ink on heavy paper with a special art deco type face. The PAINTING ROOM LIGHTS. 1979, United States. Directed by David Haxton. "... about the nature of spatial illusion in film." — David Haxton. CIRCUS RIDERS. 1979, United States. Directed by Martha Haslanger. Story telling involves three elements — sound, gesture and audience. These are the three characters: the ventriloquist, the mime, and the deaf-mute. "They tell the story of story-telling." — Martha Haslanger. LUCIFER RISING. 1980, Un Kenneth Anger. With Cammell, Haydon Couts, Marianne Faitfull, Lesli wakes, Osiris (Death) an climbs to the Place o activates the circle i Light) breaks through., what's usually called the ited states. Directed by Miriam Gibril, Donald Anger, Sir Fransic Rose, e Huggins. "Isis (Nature) swers. Lilith (Destroyer) f Sacrifice. The Magus ntil Lucifer (Bringer of a sympathetic view of devil." — Anger. Session III, Thursday, 9-10:30 a.m. Film: THE THIEF OF BAGDAD Coral Ballroom 9:00-10:46 a.m. 1940, England. Produced by Alexander Korda. Directed by Ludwig Berger, Michael Powell, and Tim Whelan. With Sabu and Conrad Veidt. One of the all-time great fantasies, with brilliant trick photography; adapted from the Arabian Nights. AUTHORS' READINGS Sandpiper Room 9 a.m. SOMTOW SUCHARITKUL, reading "Absent Thee From Felicity Awhile." Somtow Sucharitkul is the author and composer of