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Houstonian 2007
Special Features
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Houstonian 2007 - Special Features. 2007. Special Collections, University of Houston Libraries. University of Houston Digital Library. Web. August 30, 2015. http://digital.lib.uh.edu/collection/yearb/item/12744/show/12647.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

(2007). Houstonian 2007 - Special Features. Houstonian Yearbook Collection. Special Collections, University of Houston Libraries. Retrieved from http://digital.lib.uh.edu/collection/yearb/item/12744/show/12647

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

Houstonian 2007 - Special Features, 2007, Houstonian Yearbook Collection, Special Collections, University of Houston Libraries, accessed August 30, 2015, http://digital.lib.uh.edu/collection/yearb/item/12744/show/12647.

Disclaimer: This is a general citation for reference purposes. Please consult the most recent edition of your style manual for the proper formatting of the type of source you are citing. If the date given in the citation does not match the date on the digital item, use the more accurate date below the digital item.

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Compound Item Description
Title Houstonian 2007
Creator (Local)
  • Students of the University of Houston
Place of Creation (TGN)
  • Houston, Texas
Date 2007
Description This edition of the Houstonian, published in 2007, is the official yearbook of the University of Houston.
Subject.Topical (LCSH)
  • College yearbooks
  • University of Houston
Genre (AAT)
  • school yearbooks
Language English
Type (DCMI)
  • Text
  • Still Image
Original Item Location Houstonian
Original Item URL http://library.uh.edu/record=b1158762~S11
Digital Collection Houstonian Yearbook Collection
Digital Collection URL http://digital.lib.uh.edu/collection/yearb
Repository Special Collections, University of Houston Libraries
Repository URL http://info.lib.uh.edu/about/campus-libraries-collections/special-collections
Use and Reproduction This image is in the public domain and may be used freely. If publishing in print, electronically, or on a website, please cite the item using the citation button.
File Name index.cpd
Item Description
Title Special Features
Format (IMT)
  • image/jpeg
File Name yearb_2007_169.jpg
Transcript ladies7 MAN CHOREOGRAPHER Ben Stevenson DANCERS Nicholas Leschke and Artists of Houston Ballet PHOTO by: AMITAVA Sarkar dracula STRIKFS CHOREOGRAPHER Ben Stevenson DANCERS Lisa Kaczmarek, Marcia Phegan, Carl Coomer, and lan Cassady PHOTO by: DREW donovan cloaked BEAUTY Thomas Boyd designed this set used in the Houston Ballet's performance of Dracula, a classically romantic horror story. PHOTO by: JANN whaley thomas boyd. uNMA^kCiisIc; vraculas sot pc^nIer Dancer-turned-designer Thomas Boyd made a name for himself through set production for the Houston Ballet. In 1985, Boyd assumed the position as Production Managerforthe ballet company after years of experience as a dancer. *l had been involved with production all along. I actually had art training before dance training. I was offered the job as production manager, and I learned on-the- job/' said Boyd. Though production seemed different than the art of dance, key elements existed that bonded the two areas of the ballet. *l keep in mind the performer's needs...I create environments performers feel comfortable in, [environments] as practical as they are in trying to solve aesthetic problems," Boyd said. In fact, Boyd considered himself a builder by nature, and said that if he was not set designing, he would be "working with his hands" and living near water. Boyd felt he overcame the feat of set design and contributed to the needs of performers while enhancing the art in a meaningful way. *l helped people realize their vision. The choreographer has a vision. The patron, though he may not be aware, has a vision. I bridge the gap between what the choreographer wants to say and what the patron needs to hear, " said Boyd. 'That's what theater is. It's trying to meet somewhere on the footlights." In art, either production or dance, passion needed to be present for the creater or performer to continue. Boyd still felt a connection to the theater and "hopes to do this for a few more years at least." UL < LU Cl. < I CL LU O ■M